Tuesday, November 9

Lincoln's Walking Dead gets new run

Andrew Lincoln's zombie drama has been recommissioned - after just two episodes of the first series were aired in the US.

The Walking Dead, which is being shown in the UK on the FX channel, premiered in the States on the AMC network on Halloween night and drew 5.3 million viewers.

The second episode was seen by 4.7 million viewers.

Set in the Atlanta area, The Walking Dead stars Andrew as a small-town police officer leading a group of survivors after a zombie apocalypse. It is based on the comic book series written by Robert Kirkman.

The Walking Dead takes its place as AMC's fourth original drama series, joining veteran dramas Mad Men and Breaking Bad.

The fate of Rubicon, which recently concluded its first season, remains unclear.


(source:afp)

Gold Drops From Record as Dollar

Gold for immediate delivery declined as the dollar strengthened, paring investors’ demand for the metal as an alternative to currencies. Silver reversed a fall to climb to the highest price since March 1980.

Spot gold dropped for the first day in four, losing as much as 0.4 percent to $1,403.65 an ounce before trading at $1,407.35 at 9:55 a.m. in Singapore. Bullion jumped to an all-time high of $1,410.60 yesterday on concern that European governments may struggle to pay debt. Gold has surged 28 percent this year.

The Dollar Index, which tracks the U.S. currency against six counterparts, rose as much as 0.3 percent today. Gold, which is on course for a 10th annual gain, typically moves inversely to the dollar.

Some investors may regard the $1,400 mark “as some sort of resistance level,” Park Jong Beom, a trader at Tong Yang Futures Trading Co., said in Seoul, referring to a point where “sell” orders may be clustered. “Still, it would be hard to see gold fall significantly from here because investor demand for a safe-haven asset is increasing.”

Gold for December delivery climbed as much as 0.5 percent to $1,410.10 an ounce on the Comex in New York, and traded at $1,406.90. The contract reached an all-time high of $1,410.40 an ounce yesterday.

Ireland is seeking support from the European Union this week to avoid a Greek-style bailout as investors shunned buying the country’s bonds. Gold reached a previous record in June when investors were concerned that Greece would go bankrupt.

‘Bought on Dips’

“Gold will benefit from any sovereign-debt fallout,” said Matthew Zeman, a trader at LaSalle Futures Group in Chicago. “Gold is going to continue to be bought on dips because no one believes the dollar can stage a significant rally.”

Citigroup Inc. increased its 2011 forecasts for precious and industrial metals in a report dated Nov. 7. The gold estimate was increased almost 18 percent to $1,444 an ounce, according to the report.

World Bank President Robert Zoellick said yesterday that Group-of-20 economies should evaluate using gold as a reference point for market expectations about inflation, deflation and currency values.

While textbooks may view gold as “old money,” markets use it today as an alternative monetary asset, Zoellick wrote in a commentary in the Financial Times. Leaders from the G-20 gather in Seoul on Nov. 11-12.

“A surprise comment from the World Bank President that world leaders should consider returning to a gold standard to help set exchange rates ahead of the G20 summit this week added to the positive gold-price momentum,” Mark Pervan and Natalie Robertson, Melbourne-based analysts at Australia & New Zealand Banking Group Ltd., wrote in a report today.

Silver for immediate delivery advanced as much as 0.4 percent to $27.8625 an ounce, the highest price since March 1980, before trading at $27.8475. An ounce of gold bought as little as 50.4817 ounces of silver today, the least since March 18, 2008.

Cash palladium gained 0.5 percent to $712.13 an ounce, while spot platinum dropped 0.1 percent to $1,770.88 an ounce.

(source:bloomberg.com)

T-Mobile HTC HD7 sells out amid “strong interest”?

Anybody looking for block-spanning lines at the North American Windows Phone 7 launch yesterday would have been generally disappointed, but it seems sales have still be brisk. According to TmoNews, T-Mobile’s customer service team is now saying the HTC HD7 is on back-order, while customers are seeing messages on the carrier’s site saying “this item is not available for immediate shipment” when trying to order the 4.3-inch handset.
Of course, it’s unclear exactly how much stock T-Mobile had in of the HD7 in the first place, so it’s not conclusive proof that Windows Phone 7 has been a massive sales success. HTC told us prior to the Windows Phone 7 launch in Europe that, while the carriers had been more tentative in their enthusiasm for Microsoft’s new smartphone OS, the manufacturer was gung-ho and had been producing more devices than the operators said they wanted. If true, hopefully that means supplies to T-Mobile will be refreshed quickly.

Meanwhile, neither AT&T nor T-Mobile will give sales figures, but an AT&T spokesperson did tell SeattleTimes that they saw “lines in some of our markets across the nation” and that “there definitely was anticipation for the phone.” T-Mobile, meanwhile, said there had been “strong interest” in the platform.


(source:slashgear.com)

RockMelt Browser Shows Promise Even in Crowded Market

News Analysis: A new browser named RockMelt is now available and despite the long odds this new browser faces in a crowded market, it has a lot features users will find attractive.
A new browser has launched, called RockMelt. The idea behind the new browser is to combine all the elements that people are accustomed to when using a typical browser, surfing the Web, for example, with the things they actually do while they’re browsing pages, like talking with friends on Facebook or catching up on the updates from their favorite blogs.

But RockMelt is entering a crowded and hostile browser market. Currently, Internet Explorer still stands atop the space with Firefox trailing behind. Google’s Chrome browser is making strides in the market with its share continuing to gain. The browser market is hotly contested and extremely volatile. trying to break into that space at this point in the game is bound to be difficult.

But RockMelt has the ability to capture some market share. It’s unique if nothing else, and it delivers the kind of functionality that power Web users might really like. Read on to find out why RockMelt, against all odds, might have some promise in the browser space.

1. It has the right backing

One of the most important aspects of RockMelt’s chances of succeeding is that the company has famed venture capitalist and Netscape co-founder, Marc Andreessen behind it. To those outside Silicon Valley, it might not mean much. But Andreessen is a powerhouse on the Web, and he has a tendency to back the right companies with the right ideas. Now RockMelt has become one of his crown jewels. With Andreessen’s help, RockMelt could be more successful than some might otherwise believe possible.

2. It’s more than just Web browsing

The beauty of RockMelt is that it delivers more than just Web browsing. Those that want to just check out a few Web pages can obviously do so, but it also has access to Facebook and Twitter built right in. It also includes the ability to see the user’s Web feeds, top services, and much, much more. The browser provides a full, end-to-end experience that’s designed to give people everything they typically want without requiring them to go elsewhere to get it.

3. RockMelt is everywhere you go

RockMelt’s services are cloud-based. What that means is regardless of where the person is using the browser, they can access their bookmarks, preferences, and everything else from the software. It’s able to achieve that functionality by being a browser that users log in to. Upon doing so, all the information found on the home PC is available at the office PC or anywhere else. It’s a neat idea, and it’s one that could appeal to quite a few users.

4. The best idea for search

Rather than be forced to open a new tab, open Google Search, and look for pages, RockMelt integrates search into the browser. So, while staying on the same page, users can type a query into the search box and view all the results as an overlay on the current page they’re on. Then they can simply click the page they want and there they go. It’s a unique idea that many folks will really like.



(source:eweek.com)

Call Of Duty: Black Ops video game review

Unfairly or not, when it comes to Call Of Duty, Treyarch has long been seen as the stand-in developer for the franchise. As Activision's military shooter title shot to world stardom, Treyarch was called upon to pump out place-holder games while Infinity Ward toiled away on the next triple A COD release. The COD titles that Treyarch produced weren't bad – indeed, Call Of Duty: World At War was an engrossing and enjoyable shooter. But the Santa Monica-based developer's COD games were always considered by fans to the equivalent of straight-to-DVD movies when compared to Infinity Ward's blockbuster releases. With the release of Call Of Duty: Black Ops, those days are now well and truly over. To put it simply, Call Of Duty: Black Ops is superb. The experience of playing the game, thanks to the modified World At War engine, is comparable to the best in what the franchise has had to offer up until now. The meaty kick of the guns, the blistering pace of the action and the sterling soundtrack of explosions, gunshots and whistling bullets all serve to quicken the player's pulse and tighten their grip on the controller. Once again, introspective considerations and achievement concerns (at least on the initial playthrough) are dumped to one side as Black Ops' gameplay plugs directly into the player's primal need to make it out alive. The controls will be familiar to anyone who has ever played COD (millions of players by the last count) or indeed any shooter in the last ten or so years. The game also earns every ounce of its 18 rating with some particularly grisly violence, although this is confined to the single-player experience.

There is nothing gratuitous about the violence in the campaign, however. While it contains its fair share of graphically violent scenes, there is nothing on the level of the cheap theatrics of the 'No Russian' level of Modern Warfare 2. All the violence, however eye-watering it may be, is used at the service of the campaign's plot – and what a rip-roaring piece of work that happens to be. The player takes on the role of a soldier, who at the beginning of the game, is strapped to a chair in a makeshift torture chamber, with shadowy figures barking questions at him about his chequered past. The plots unfolds in flashback with the action moving around different theatres from the Cold War such as (amongst others) U.S.S.R., Vietnam and Cuba. The writers do just the right amount of drip-feeding plot details and twisting the narrative that the story maintains a lethal degree of intrigue and tension. When all is finally revealed, they're also deft enough tie up campaign, while not spoon-feeding the player by closing out every loose end. It's top notch stuff and it has the edge over Black Ops' predecessor in that it actually makes sense.

The level design matches the plot's strength neck and neck. Granted, awe-inspiring set pieces have always been Call Of Duty's stock in trade as a franchise, but Black Ops ramps up the intensity while tossing in a lot of variation. Beyond the overwhelming, chaotic action in the game's major gun battles – during a charge up a hill in Vietnam or a frantic rooftop chase in Hong Kong – Black Ops offers a slow crawl through corpse-filled foxhole in Laos and a stealthy infiltration of a substation in the snow-capped steppes in which the slowdown in action is compensated for by nail-shredding tension and creepy atmosphere. There are also a couple of vehicle sections; one standout moment involves laying waste to enemy positions along a river in a helicopter gunship. Throughout the campaign, Black Ops offers an engrossing plot with epic shooter action to match. The only downside to the campaign – as has almost become standard in COD games – is that it's rather short. On easiest setting, most players will blaze through it in around 6 to 8 hours. However, many consumers won't be too bothered by this aspect, because they'll be purchasing Black Ops for the online multiplayer mode and it's here that Treyarch's hard work and creativity truly pays off.

The multiplayer is just as robust as its predecessor, with the only shortfall being that the 20 killstreak rewards have been reduced to 15 and the deathstreaks, which gave the less skilled online players a bit of help, have gone completely. To compensate for this latter omission, Black Ops contains a mode called Combat Training which pits the players again the game's AI in multiplayer maps and match-types. This can be played solo or with friends (in local and online co-op) and the difficulty level can be toggled according the player's skill level. It doesn't completely replicate the experience of online – the AI doesn't camp for example – but over all this mode should give players a good introduction to the style of play in the multiplayer, and make them confident enough to test their mettle against human opponents.

Veterans might view with Combat Training as a fun, if disposable exercise. However, the wealth of content in the multiplayer is sure to set their tongues wagging – and not just because Black Ops's multiplayer has dedicated servers. First off, the customisation options are mind-boggling. Players can customise nearly every aspect of their in-game avatars, build their own character classes (picking out weapons, tools and perks), design their own clan-tags and emblems and even customise the appearance of their weapons. Fancy having your clan name scratched into your gun with a purple smiley face on the reticule of your sights? Well now you can; and in the kill cam, every one of your victims will know it was you that tagged them. There's also Theater (sic) mode in which players can play back matches they've taken part in, chop together a highlight reel and share moments from their greatest battles online.

Players have a large selection to choose from in the arsenal in Black Ops, which is era-specific to the Cold War, and there are some new perks and killstreaks (some which make returns from previous games with new names). There's also some new equipment in the game which mixes up the gameplay a bit – camera spikes act as a localised radar when deployed, and SAM turrets mean you don't need to carry a rocket launcher to take down attack helicopters. There's a lengthy list of match-types which will be familiar to COD veterans and the maps themselves offer and the selection of maps offer varied environments to shoot mates in, while ticking the usual boxes for COD games – narrow streets, sniping points and rooms with multiple entries..

Black Ops has the same levelling up system as previous COD instalments, but this time round, experience points (XP) are augmented by COD Points (CP). Players gain both in every multiplayer match they play and while XP unlocks weapons, perks, skins and equipment CP offers them the option of buying them. Players have a second option to earn CP in the brand new Wager Matches, in which players all ante up CP and compete for a pot in a selection of match types. The players who end up in the first three positions will take home a share of the pot, while the rest get nothing. To prevent players from cheating, all of the Wager matches are free-for-alls, so players can't charge in with a couple of mates and farm CP.

There are four Wager match-types and all of them offer very different, if equally thrilling experiences. The first is One In The Chamber, in which players are given a handgun, one bullet and a knife. If they kill another player, they receive another bullet, although each player can only carry one bullet at a time. These are tense, exciting affairs made all the more nail-biting due to the sums of CP involved. The second match type is Sticks & Stones in which players are armed with a tomahawk, a spring-loaded knife which fires blades, a crossbow and a couple of exploding bolts. Players win the match by dispatching foes over a set time limit. However, adding a little spice to the match is the fact that if a player manages to hit an opponent with their tomahawk, they bankrupt the player in question of all their CP. Third up is Gun Game, an absolutely ridiculous match in which players are handed a succession of increasingly powerful weapons with each kill. The winner is the player who either scores the most kills or manages to cycle through all of the weapons on offer. Fourth and last, there's Sharpshooter, in which players start off with the same weapons, and then their guns are cycled at random intervals. There's a certain manic energy to all of the Wager Matches and they're by far and away one of the most satisfying aspect of Black Ops.

Finally, fans of World At War will be pleased to hear that the zombies are back. This time, players take on the roles of John F. Kennedy, Richard Nixon, Robert McNamara, and Fidel Castro who have come under attack at the pentagon. Up to four players can take part in online battles, while two can play together in local split-screen co-op. It's a zany entertaining mode in which players dash madly around a series of rooms, blasting the stumbling undead who are trying to break into the map at four entrance points. As they rack up kills, players can spend points to unlock more weapons scattered around the map, and also barricade entry points to staunch the never-ending flow of zombies. It never stops being silly, infectious fun.

If Treyarch felt they had something to prove with Call Of Duty: Black Ops, then the developer can give itself a well-deserved pat on the back. They've really hit one out of the park with Black Ops; this COD entry is easily the gold standard for this franchise now. This is a game that will silence any naysayers and beat off any competition. Activision will doubtless be pleased, although any other developers tasked with following Black Ops will probably be wondering how they can improve on Treyarch's work here. Call Of Duty: Black Ops will be a tough act to follow as it's easily one of the best games of this, or any year.

It is even, dare we say it, better than Modern Warfare 2.


(source:telegraph.co.uk)

Next step on Obama's Asia tour: Indonesia

JAKARTA, Indonesia -- President Barack Obama is finally making it to Indonesia, his home for four years of his youth. His quick stop in the world's largest Muslim-majority nation, an increasingly important player in Asia, will allow him to speak to the values of democracy and religious tolerance and reflect on his time here as a boy.

Twice previously, domestic issues forced last-minute cancellations of planned presidential trips to Indonesia, first because of negotiations on the health care bill and then because of the oil spill in the Gulf of Mexico.

This visit briefly looked imperiled, too, when volcanic ash forced flight cancellations to Jakarta over the past several days. White House officials monitored the situation carefully before deciding it was safe for the president and First Lady Michelle Obama to make the trip here from India. They're scheduled to arrive in Jakarta late afternoon local time on Tuesday.

Obama will spend less than 24 hours in this nation of 250 million people, which is made up of a string of islands stretched through the Indian Ocean between Australia and Malaysia. Touring Asia for 10 jam-packed days, he's shoehorning the visit in between the three days he spent in India and economic meetings in South Korea and Japan that start Thursday.

The U.S. has increasingly embraced Indonesia as a moderate Muslim nation and partner in counter-terror efforts in the wake of attacks in Bali, Jakarta and elsewhere in the region between 2002 and 2005. Like India, Indonesia is also seen as a counterweight to China's gathering strength.
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After his arrival Tuesday, Obama will meet with Indonesia's president, Susilo Bambang Yudhoyono. The two leaders will hold a joint press conference and in the evening the president and first lady will be feted at an official dinner at the state palace complex.

"Lots of U.S. interests and lots of challenges and opportunities intersect in Indonesia," Ben Rhodes, deputy national security adviser for strategic communications, told reporters Monday.

"The president will be able to speak to the positive example that Indonesia sets ... as a country with a thriving Islamic community, but also a country that has a pluralistic tradition."

Obama's abbreviated schedule doesn't allow time for him to visit childhood haunts, but he intends to speak to his personal biography when he addresses a large crowd at the University of Indonesia on Wednesday. The future president moved to Jakarta when he was 6, after his divorced mother remarried an Indonesian, and lived here until he was 10.

Obama's stepfather was Muslim, and during his time in Indonesia Obama occasionally studied the Quran and visited a local mosque. Although Obama is Christian, that background helped foster enduring rumors in the U.S. about the president's religion.

Planning for Obama's Asia trip featured a religious controversy when the president opted not to visit the Golden Temple Sikh holy site in India, spawning rumors that he wanted to avoid wearing a head covering that could make him appear Muslim. In Jakarta the president plans to visit the giant Istqlal Mosque, the largest mosque in Southeast Asia and a popular tourist attraction.

The president will conclude his Indonesia visit with a wreath-laying at Kalibata Heroes Cemetery, the burial site of veterans of the Indonesian National Revolution, somewhat equivalent to Arlington National Cemetery in the United States.

Obama departs Jakarta for Seoul early Wednesday afternoon for a summit of the Group of 20 developed and developing nations.


(source:washingtonpost.com)

Mel Gibson

Mel Colm-Cille Gerard Gibson, AO (born January 3, 1956) is an Irish-American actor, film director, producer and screenwriter. Born in Peekskill, New York, Gibson moved with his parents to Sydney when he was 12 years old and later studied acting at the Australian National Institute of Dramatic Art.

After appearing in the Mad Max and Lethal Weapon series, Gibson went on to direct and star in the Academy Award-winning Braveheart. In 2004, he directed and produced The Passion of the Christ, a controversial, yet successful, film portraying the last hours in the life of Jesus Christ. Outside his career, remabrks by Gibson have generated accusations of homophobia, misogyny, and antisemitism; he has previously attributed the statements to his battle with alcoholism.

Early life

Gibson was born in Peekskill, New York, the sixth of 11 children, and the second son of Hutton Gibson and Irish-born Anne Patricia (née Reilly, died 1990). His paternal grandmother was the Australian opera soprano, Eva Mylott (1875–1920).One of Gibson's younger brothers, Donal, is also an actor. Gibson's first name comes from Saint Mel, fifth-century Irish saint, and founder of Gibson's mother's native diocese, Ardagh, while his second name, Colm-Cille,is also shared by an Irish saint and is the name of the parish in County Longford where Gibson's mother was born and raised. Because of his mother, Gibson holds dual Irish and American citizenship.

Soon after being awarded $145,000 in a work-related-injury lawsuit against New York Central Railroad on February 14, 1968, Hutton Gibson relocated his family to West Pymble, Sydney, Australia. Gibson was 12 years old at the time. The move to Hutton's mother's native Australia was for economic reasons, and because Hutton thought the Australian Defence Forces would reject his oldest son for the draft during the Vietnam War.

Gibson was educated by members of the Congregation of Christian Brothers at St. Leo's Catholic College in Wahroonga, New South Wales, during his high school years.

Career

Gibson gained very favorable notices from film critics when he first entered the cinematic scene, as well as comparisons to several classic movie stars. In 1982, Vincent Canby wrote that “Mr. Gibson recalls the young Steve McQueen... I can't define "star quality," but whatever it is, Mr. Gibson has it.”Gibson has also been likened to “a combination Clark Gable and Humphrey Bogart.”Gibson's roles in the "Mad Max" series of films, Peter Weir's Gallipoli, and the "Lethal Weapon" series of films earned him the label of "action hero". Later, Gibson expanded into a variety of acting projects including human dramas such as Hamlet, and comedic roles such as those in Maverick and What Women Want. He expanded beyond acting into directing and producing, with: The Man Without a Face, in 1993; Braveheart, in 1995; The Passion of the Christ, in 2004; and Apocalypto, in 2006. Jess Cagle of Time has compared Gibson to Cary Grant, Sean Connery, and Robert Redford.Connery once suggested Gibson should play the next James Bond to Connery's M. Gibson turned down the role, reportedly because he feared being typecast.

Stage

Gibson studied at the National Institute of Dramatic Art (NIDA) in Sydney. The students at NIDA were classically trained in the British-theater tradition rather than in preparation for screen acting. As students, Gibson and actress Judy Davis played the leads in Romeo and Juliet, and Gibson played the role of Queen Titania in an experimental production of A Midsummer Night's Dream. After graduation in 1977, Gibson immediately began work on the filming of Mad Max, but continued to work as a stage actor, and joined the State Theatre Company of South Australia in Adelaide. Gibson’s theatrical credits include the character Estragon (opposite Geoffrey Rush) in Waiting for Godot, and the role of Biff Loman in a 1982 production of Death of a Salesman in Sydney. Gibson’s most recent theatrical performance, opposite Sissy Spacek, was the 1993 production of Love Letters by A. R. Gurney, in Telluride, Colorado.
Australian television and cinema

While a student at NIDA, Gibson made his film debut in the 1977 film Summer City, for which he was paid $400.

Gibson then played the title character in the film Mad Max (1979). He was paid $15000 for this role. Shortly after making the film he did a season with the South Australian Theatre Company. During this period he shared a $30 a week apartment in Adelaide with his future wife Robyn. After Mad Max Gibson also played a mentally slow youth in the film Tim.

During this period Gibson also appeared in Australian television series guest roles. He appeared in serial The Sullivans as naval lieutenant Ray Henderson, in police procedural Cop Shop, and in the pilot episode of prison serial Punishment which was produced in 1980, screened 1981.

Gibson joined the cast of the World War II action film Attack Force Z, which was not released until 1982 when Gibson had become a bigger star. Director Peter Weir cast Gibson as one of the leads in the critically acclaimed World War I drama Gallipoli, which earned Gibson another Best Actor Award from the Australian Film Institute. The film Gallipoli also helped to earn Gibson the reputation of a serious, versatile actor and gained him the Hollywood agent Ed Limato. The sequel Mad Max 2 was his first hit in America (released as The Road Warrior). In 1982 Gibson again attracted critical acclaim in Peter Weir’s romantic thriller The Year of Living Dangerously. Following a year hiatus from film acting after the birth of his twin sons, Gibson took on the role of Fletcher Christian in The Bounty in 1984. Playing Max Rockatansky for the third time in Mad Max Beyond Thunderdome, in 1985, earned Gibson his first million dollar salary.

Hollywood
Early Hollywood years

Mel Gibson's first American film was Mark Rydell’s 1984 drama The River, in which he and Sissy Spacek played struggling Tennessee farmers. Gibson then starred in the gothic romance Mrs. Soffel for Australian director Gillian Armstrong. He and Matthew Modine played condemned convict brothers opposite Diane Keaton as the warden's wife who visits them to read the Bible. In 1985, after working on four films in a row, Gibson took almost two years off at his Australian cattle station. He returned to play the role of Martin Riggs in Lethal Weapon, a film which helped to cement his status as a Hollywood "leading man". Gibson's next film was Robert Towne’s Tequila Sunrise, followed by Lethal Weapon 2, in 1989. Gibson next starred in three films back-to-back: Bird on a Wire, Air America, and Hamlet; all were released in 1990.
1990s

During the 1990s, Gibson alternated between commercial and personal projects. His films in the first half of the decade were Forever Young, Lethal Weapon 3, Maverick, and Braveheart. He then starred in Ransom, Conspiracy Theory, Lethal Weapon 4, and Payback. Gibson also served as the speaking and singing voice of John Smith in Disney’s Pocahontas.

After 2000

In 2000, Gibson acted in three films that each grossed over $100 million: The Patriot, Chicken Run, and What Women Want.In 2002, Gibson appeared in the Vietnam War drama We Were Soldiers and M. Night Shyamalan’s Signs, which became the highest-grossing film of Gibson’s acting career. While promoting Signs, Gibson said that he no longer wanted to be a movie star and would only act in film again if the script were truly extraordinary. In 2010, Gibson appeared in Edge of Darkness, which marked his first starring role since 2002and was an adaptation of the BBC miniseries, Edge of Darkness.In 2010, following an outburst at his ex-girlfriend that was made public, Gibson was dropped from the talent agency of William Morris Endeavor.
Producer
Icon Productions

After his success in Hollywood with the Lethal Weapon series, Gibson began to move into producing and directing. With partner Bruce Davey, Gibson formed Icon Productions in 1989 in order to make Hamlet. In addition to producing or co-producing many of Gibson's own star vehicles, Icon has turned out many other small films, ranging from Immortal Beloved to An Ideal Husband. Gibson has taken supporting roles in some of these films, such as The Million Dollar Hotel and The Singing Detective. Gibson has also produced a number of projects for television, including a biopic on The Three Stooges and the 2008 PBS documentary Carrier. Icon has grown from being just a production company to also be an international distribution company and film exhibitor in Australia and New Zealand.
Director

Mel Gibson has credited his directors, particularly George Miller, Peter Weir, and Richard Donner, with teaching him the craft of filmmaking and influencing him as a director. According to Robert Downey, Jr., studio executives encouraged Gibson in 1989 to try directing, an idea he rebuffed at the time. Gibson made his directorial debut in 1993 with The Man Without a Face, followed two years later by Braveheart, which earned Gibson the Academy Award for Best Director. Gibson had long planned to direct a remake of Fahrenheit 451, but in 1999 the project was indefinitely postponed because of scheduling conflicts. Gibson was scheduled to direct Robert Downey, Jr. in a Los Angeles stage production of Hamlet in January 2001, but Downey's drug relapse ended the project. In 2002, while promoting We Were Soldiers and Signs to the press, Gibson mentioned that he was planning to pare back on acting and return to directing. In September 2002, Gibson announced that he would direct a film called The Passion in Aramaic and Latin with no subtitles because he hoped to "transcend language barriers with filmic storytelling." In 2004, he released the controversial film The Passion of the Christ, with subtitles, which he co-wrote, co-produced, and directed. Gibson directed a few episodes of Complete Savages for the ABC network. In 2006, he directed the action-adventure film Apocalypto, his second film to feature sparse dialogue in a non-English language.

Honors

On July 25, 1997, Gibson was named an honorary Officer of the Order of Australia (AO), in recognition of his "service to the Australian film industry". The award was honorary because substantive awards are made only to Australian citizens. In 1985, Gibson was named "The Sexiest Man Alive" by People, the first person to be named so.Gibson quietly declined the Chevalier des Arts et Lettres from the French government in 1995 as a protest against France's resumption of nuclear testing in the Southwest Pacific.Time magazine chose Mel Gibson and Michael Moore as Men of the Year in 2004, but Gibson turned down the photo session and interview, and the cover went instead to George W. Bush.
Landmark films

Mad Max series

Gibson got his breakthrough role as the leather-clad post-apocalyptic survivor in George Miller's Mad Max. The independently financed blockbuster helped to make him an international star everywhere but in the United States, where the actors' Australian accents were dubbed with American accents.The original film spawned two sequels: Mad Max 2 (known in North America as The Road Warrior), and Mad Max 3 (known in North America as Mad Max Beyond Thunderdome). A fourth movie, Mad Max 4: Fury Road, is in development, but both Gibson and George Miller have indicated that the starring role would go to a younger actor.

Gallipoli (1981)

Gibson played the role of the cynical Frank Dunne alongside co-star Mark Lee in the 1981 Peter Weir film. Gallipoli is about several young men from rural Western Australia who enlist in the Australian Army during the First World War. They are sent to Turkey, where they take part in the Gallipoli Campaign. During the course of the movie, the young men slowly lose their innocence about the purpose of war. The climax of the movie occurs on the ANZAC battlefield at Gallipoli and depicts the brutal attack at the Nek. According to Gibson, “Gallipoli was the birth of a nation. It was the shattering of a dream for Australia. They had banded together to fight the Hun and died by the thousands in a dirty little trench war." The critically acclaimed film helped to further launch Gibson's career. He won the award for Best Actor in a Leading Role from the Australian Film Institute.

The Year of Living Dangerously

Gibson played a naïve but ambitious journalist opposite Sigourney Weaver and Linda Hunt in Peter Weir’s atmospheric 1982 film The Year of Living Dangerously, based on the novel of the same name by Christopher Koch. The movie was both a critical and commercial success, and the upcoming Australian actor was heavily marketed by MGM studio. In his review of the film, Vincent Canby of the New York Times wrote, "If this film doesn't make an international star of Mr. Gibson, then nothing will. He possesses both the necessary talent and the screen presence."According to John Hiscock of The Daily Telegraph, the film did, indeed, establish Gibson as an international talent.

Gibson was initially reluctant to accept the role of Guy Hamilton. "I didn't necessarily see my role as a great challenge. My character was, like the film suggests, a puppet. And I went with that. It wasn't some star thing, even though they advertised it that way." Gibson saw some similarities between himself and the character of Guy. "He's not a silver-tongued devil. He's kind of immature and he has some rough edges and I guess you could say the same for me." Gibson has cited this screen performance as his personal favorite.

The Bounty

Gibson followed the footsteps of Errol Flynn, Clark Gable, and Marlon Brando by starring as Fletcher Christian in a cinematic retelling of the mutiny on the Bounty. The resulting 1984 film The Bounty is considered to be the most historically accurate version. However, Gibson thinks that the film's revisionism did not go far enough. He stated that his character should have been portrayed as more of a villain and described Anthony Hopkins's performance as William Bligh as the best aspect of the film.


Lethal Weapon series

Gibson moved into more mainstream commercial filmmaking with the popular buddy cop Lethal Weapon series, which began with the 1987 original. In the films he played LAPD Detective Martin Riggs, a recently widowed Vietnam veteran with a death wish and a penchant for violence and gunplay. In the films, he is partnered with a reserved family man named Roger Murtaugh (Danny Glover). Following the success of Lethal Weapon, director Richard Donner and principal cast revisited the characters in three sequels, Lethal Weapon 2 (1989), Lethal Weapon 3 (1993), and Lethal Weapon 4 (1998). With its fourth installment, the Lethal Weapon series embodied "the quintessence of the buddy cop pic".
 
Hamlet (1990 film)

Gibson made the unusual transition from the action to classical genres, playing the melancholic Danish prince in Franco Zeffirelli's Hamlet. Gibson was cast alongside such experienced Shakespearean actors as Ian Holm, Alan Bates, and Paul Scofield. He described working with his fellow cast members as similar to being "thrown into the ring with Mike Tyson".

Braveheart

Mel Gibson directed, produced, and starred in Braveheart, an epic telling of the legend of Sir William Wallace, a 13th century Scottish patriot. Gibson received two Academy Awards, Best Director and Best Picture for his second directorial effort. In winning the Academy Award for Best Director, Gibson became only the sixth actor-turned-filmmaker to do so. Braveheart influenced the Scottish nationalist movement and helped to revive the film genre of the historical epic. The Battle of Stirling Bridge sequence in Braveheart is considered by critics to be one of the all-time best directed battle scenes.

The Passion of the Christ

Gibson directed, produced, co-wrote, and self-funded the 2004 film The Passion of the Christ, which chronicled the passion and death of Jesus Christ. The cast spoke the languages of Aramaic, Latin, and Hebrew. Although Gibson originally announced his intention to release the film without subtitles; he relented on this point for theatrical exhibition. The highly controversial film sparked divergent reviews, ranging from high praise to criticism of the violence and charges of antisemitism. Gibson also sparked controversy with his statements regarding New York Times writer Frank Rich, "I want to kill him. I want his intestines on a stick.... I want to kill his dog" in response to Rich's suggestion that the film could fuel antisemitism.

The movie grossed US$611,899,420 worldwide and $370,782,930 in the US alone,surpassing any motion picture starring Gibson. In US box offices, it became the eighth (at the time) highest-grossing film in historyand the highest-grossing rated R film of all time.The film was nominated for three Academy Awardsand won the People's Choice Award for Favorite Dramatic Motion Picture.


Apocalypto

Gibson received further critical acclaim for his directing of the 2006 action-adventure film Apocalypto. Gibson's fourth directorial effort is set in Mesoamerica during the early 16th century against the turbulent end times of a Maya civilization. The sparse dialogue is spoken in the Yucatec Maya language by a cast of Native American descent.

Future films

In March 2007, Gibson told a screening audience that he was preparing another script with Farhad Safinia about the writing of the Oxford English Dictionary (OED). Gibson's company has long owned the rights to The Professor and the Madman, which tells the story of the creation of the OED.

Gibson has dismissed the rumors that he is considering directing a film about Spanish explorer Vasco Núñez de Balboa.Asked in September 2007 if he planned to return to acting and specifically to action roles, Gibson said: "I think I’m too old for that, but you never know. I just like telling stories. Entertainment is valid and I guess I’ll probably do it again before it's over. You know, do something that people won’t get mad with me for."

In 2005, the film Sam and George was announced as the seventh collaboration between director Richard Donner and Gibson. In February 2009, Donner said that this Paramount project was “dead,” but that he and Gibson were planning another film based on an original script by Brian Helgeland for production in fall 2009.

It was reported, in 2009, that Gibson would star in The Beaver, a film directed by former Maverick co-star, Jodie Foster. He has also expressed an intention to direct a movie set during the Viking Age, starring Leonardo DiCaprio. The as-yet untitled film, like The Passion of the Christ and Apocalypto, will feature dialogue in period languages. However, some sources have speculated that DiCaprio might opt out of the project.

In June 2010, Gibson was in Brownsville, Texas, filming scenes for another movie, tentatively titled How I Spent My Summer Vacation, about a career criminal put in a tough prison in Mexico.

In October 2010, it was reported that Gibson would have a small role in The Hangover 2, but he was removed from the film after the cast and crew objected to his involvement.
Personal life
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Family

Gibson met Robyn Denise Moore in the late 1970s soon after filming Mad Max when they were both tenants at a house in Adelaide. At the time, Robyn was a dental nurse and Mel was an unknown actor working for the South Australian Theatre Company. On June 7, 1980, they were married in a Catholic church in Forestville, New South Wales and she became known as Robyn Gibson.The couple have one daughter, six sons, and two grandchildren.

After 26 years of marriage, the couple separated in August 2006. Nearly three years after the separation began, Robyn filed for divorce on April 13, 2009, citing irreconcilable differences. In a joint statement, the Gibsons declared, "Throughout our marriage and separation we have always strived to maintain the privacy and integrity of our family and will continue to do so." The divorce filing followed the March 2009 release of photographs appearing to show him on a beach embracing another woman.

On April 28, 2009, Gibson made a red carpet appearance with Oksana Grigorieva, a Russian pianist and an artist on Gibson's record label. Grigorieva has a son (born 1997) with actor Timothy Dalton. Grigorieva gave birth to their daughter Lucia on October 30, 2009. In April 2010, it was made public that Gibson and Grigorieva had split. On June 21, 2010, Grigorieva filed a restraining order against Gibson to keep him away from her and their child. The restraining order was modified the next day regarding Gibson's contact with their child. Gibson obtained a restraining order against Grigorieva on June 25, 2010. In response to claims by Grigorieva that an incident of domestic violence occurred in January 2010, the Los Angeles County Sheriff’s Department launched a domestic violence investigation in July 2010.
Investments

Gibson is a property investor, with multiple properties in Malibu, California, several locations in Costa Rica, a private island in Fiji and properties in Australia. In December 2004, Gibson sold his 300-acre (1.2 km2) Australian farm in the Kiewa Valley for $6 million. Also in December 2004, Gibson purchased Mago Island in Fiji from Tokyu Corporation of Japan for $15 million. Descendants of the original native inhabitants of Mago, who were displaced in the 1860s, have protested the purchase. Gibson stated it was his intention to retain the pristine environment of the undeveloped island. In early 2005, he sold his 45,000-acre (180 km2) Montana ranch to a neighbor. In April 2007 he purchased a 400-acre (1.6 km2) ranch in Costa Rica for $26 million, and in July 2007 he sold his 76-acre (310,000 m2) Tudor estate in Connecticut (which he purchased in 1994 for $9 million) for $40 million to an unnamed buyer. Also that month, he sold a Malibu property for $30 million that he had purchased for $24 million two years before. In 2008, he purchased the Malibu home of David Duchovny and Téa Leoni.
Religious and political views

Faith

Gibson was raised a Traditionalist Catholic. When asked about the Catholic doctrine of "Extra Ecclesiam nulla salus", Gibson replied, "There is no salvation for those outside the Church ... I believe it. Put it this way. My wife is a saint. She's a much better person than I am. Honestly. She's... Episcopalian, Church of England. She prays, she believes in God, she knows Jesus, she believes in that stuff. And it's just not fair if she doesn't make it, she's better than I am. But that is a pronouncement from the chair. I go with it." When he was asked whether John 14:6 is an intolerant position, he said that "through the merits of Jesus' sacrifice... even people who don't know Jesus are able to be saved, but through him."Acquaintance Father William Fulco has said that Gibson denies neither the Pope nor Vatican II. Gibson told Diane Sawyer that he believes non-Catholics and non-Christians can go to heaven.

Gibson's traditionalist Catholic beliefs have been the target of criticism, especially during the controversy over his film The Passion of the Christ. Gibson stated in the Diane Sawyer interview that he feels that his "human rights were violated" by the often vitriolic attacks on his person, his family, and his religious beliefs which were sparked by The Passion.

Politics

Gibson has been called variously “ultraconservative” and “politically very liberal” (by acquaintance William Fulco).

Gibson complimented filmmaker Michael Moore and his documentary Fahrenheit 9/11 when he and Moore were recognized at the 2005 People's Choice Awards.Gibson's Icon Productions originally agreed to finance Moore's film, but later sold the rights to Miramax Films. Moore said that his agent Ari Emanuel claimed that "top Republicans" called Mel Gibson to tell him, "don’t expect to get more invitations to the White House". Icon's spokesman dismissed this story, saying "We never run from a controversy. You'd have to be out of your mind to think that of the company that just put out The Passion of the Christ."

In a July 1995 interview with Playboy magazine, Gibson said President Bill Clinton was a "low-level opportunist" and someone was "telling him what to do". He said that the Rhodes Scholarship was established for young men and women who want to strive for a "new world order" and this was a campaign for Marxism. Gibson later backed away from such conspiracy theories saying, "It was like: 'Hey, tell us a conspiracy'... so I laid out this thing, and suddenly, it was like I was talking the gospel truth, espousing all this political shit like I believed in it." In the same 1995 Playboy interview, Gibson argued that men and women are unequal as a reason against women priests.

In 2004, he publicly spoke out against taxpayer-funded embryonic stem-cell research that involves the cloning and destruction of human embryos. In March 2005, he condemned the outcome of the Terri Schiavo case, referring to Schiavo's death as "state-sanctioned murder".

Gibson questioned the Iraq War in March 2004. In 2006, Gibson said that the "fearmongering" depicted in his film Apocalypto "reminds me a little of President Bush and his guys."

Allegations
Homophobia
Braveheart#Accusations of anti-gay depictions

The Gay & Lesbian Alliance Against Defamation (GLAAD) accused Gibson of homophobia after a December 1991 interview in the Spanish newspaper El País in which he made derogatory comments about homosexuals.Gibson later defended his comments and rejected calls to apologise. However, Gibson joined GLAAD in hosting 10 lesbian and gay filmmakers for an on-location seminar on the set of the movie Conspiracy Theory in January 1997. In 1999 when asked about the comments to El País, Gibson said, "I shouldn't have said it, but I was tickling a bit of vodka during that interview, and the quote came back to bite me on the ass."

Sexism and domestic violence

In July 2010, it was alleged that Gibson had been recorded during a phone call with Oksana Grigorieva suggesting that if she got "raped by a pack of niggers," she would be to blame. Gibson was barred from coming near Grigorieva or her daughter due to a domestic violence-related restraining order. The Los Angeles County Sheriff’s Department has launched a domestic violence investigation against Gibson.Gibson's estranged wife, Robyn Gibson, has filed a court statement declaring that she never experienced any abuse from Gibson, while forensic experts have questioned the validity of the tapes in question.

Racism

On July 8, 2010, Gibson was alleged to have made a racial slur against Latinos using the term "wetbacks" as he suggested turning in one of his employees to immigration authorities. On July 9, 2010, some audio recordings alleged to be of Gibson were posted on the internet. The same day Gibson was dropped by his agency, William Morris Endeavor.

The July 2010 reports of voice-mail recordings also included alleged racist remarks, with Gibson using the word "niggers".Civil rights activists commented that Gibson had shown patterns of racism, sexism and anti-Semitism and called for a boycott of Gibson's movies.
Anti-semitism in The Passion of the Christ
Main article: The Passion of the Christ#Allegations of anti-Semitism

Gibson's 2004 film The Passion of the Christ sparked a fierce debate over alleged anti-semitic imagery and overtones. Gibson denied that the film was anti-semitic, but critics remained divided. Some agreed that the film was consistent with the Gospels and traditional Catholic teachings, while others argued that it reflected a selective reading of the Gospels.
Alcohol abuse

Gibson has said that he started drinking at the age of thirteen.In a 2002 interview about his time at NIDA, Gibson said, "I had really good highs but some very low lows. I found out recently I'm manic depressive."

Gibson was banned from driving in Ontario for three months, in 1984, after rear-ending a car, in Toronto, while under the influence of alcohol. He retreated to his Australian farm for over a year to recover, but he continued to struggle with drinking. Despite this problem, Gibson gained a reputation in Hollywood for professionalism and punctuality, so that Lethal Weapon 2 director Richard Donner was shocked when Gibson confided that he was drinking five pints of beer for breakfast. Reflecting in 2003 and 2004, Gibson said that despair in his mid-30s led him to contemplate suicide, and he meditated on Christ's Passion to heal his wounds. He took more time off acting in 1991 and sought professional help. That year, Gibson's attorneys were unsuccessful at blocking the Sunday Mirror from publishing what Gibson shared at AA meetings. In 1992, Gibson provided financial support to Hollywood's Recovery Center, saying, "Alcoholism is something that runs in my family. It's something that's close to me. People do come back from it, and it's a miracle."

Mel Gibson DUI incident

On July 28, 2006, Gibson was arrested for DUI while speeding in his vehicle with an open container of alcohol. A leaked report revealed that during Gibson's July 28, 2006 arrest for driving under the influence he made anti-semitic remarks to arresting officer James Mee, who is Jewish, saying "Fucking Jews...the Jews are responsible for all the wars in the world." Gibson issued two apologies for the incident through his publicist, and in a later interview with Diane Sawyer, he affirmed the accuracy of the quotations.He admitted to making anti-semitic remarks during his arrest and apologized for his "despicable" behavior, saying the comments were "blurted out in a moment of insanity" and asked to meet with Jewish leaders to help him "discern the appropriate path for healing." After Gibson's arrest, his publicist said he had entered a recovery program to battle alcoholism. On August 17, 2006, Gibson pleaded no contest to a misdemeanor drunken-driving charge and was sentenced to three years on probation.He was ordered to attend self-help meetings five times a week for four and a half months and three times a week for the remainder of the first year of his probation. He was also ordered to attend a First Offenders Program, was fined $1,300, and his license was restricted for 90 days.

At a May 2007 progress hearing, Gibson was praised for his compliance with the terms of his probation, his extensive participation in a self-help program, beyond what was required.
Prankster

Gibson has a reputation for practical jokes, puns, Stooge-inspired physical comedy, and doing outrageous things to shock people. As a director he sometimes breaks the tension on set by having his actors perform serious scenes wearing a red clown nose. Helena Bonham Carter, who appeared alongside him in Hamlet, said of him, "He has a very basic sense of humor. It's a bit lavatorial and not very sophisticated." During the filming of Hamlet, Gibson would relieve pressure on the set by mooning the cast and crew, directly following a serious scene.In addition to inserting several homages to the Three Stooges in his Lethal Weapon movies, Gibson produced a 2000 television movie about the comedy group which starred Michael Chiklis as Curly Howard. As a gag[citation needed], Gibson inserted a single frame of himself smoking a cigarette into the 2005 teaser trailer of Apocalypto.

Philanthropy
Gibson at the Christmas party for charity Mending Kids in 2007. His estranged wife Robyn is the president of the charity.

Gibson and his former wife have contributed a substantial amount of money to various charities, one of which is Healing the Children. According to Cris Embleton, one of the founders, the Gibsons gave millions to provide lifesaving medical treatment to needy children worldwide.They also supported the restoration of Renaissance artwork and gave millions of dollars to NIDA.

Gibson donated $500,000 to the El Mirador Basin Project to protect the last tract of virgin rain forest in Central America and to fund archeological excavations in the "cradle of Mayan civilization." In July 2007, Gibson again visited Central America to make arrangements for donations to the indigenous population. Gibson met with Costa Rican President Óscar Arias to discuss how to "channel the funds." During the same month, Gibson pledged to give financial assistance to a Malaysian company named Green Rubber Global for a tire recycling factory located in Gallup, New Mexico. While on a business trip to Singapore in September 2007, Gibson donated to a local charity for children with chronic and terminal illnesses.

Mel Gibson filmography

Gibson's acting career began in 1976, with a role on the Australian television series The Sullivans and has continued for 34 years. In his career, Gibson has appeared in 43 films, including the Mad Max and Lethal Weapon film series. In addition to acting, Gibson has also directed four films, including Braveheart and The Passion of the Christ; produced 11 films; and written two films. Films either starring or directed by Mel Gibson have earned over $2.5 billion, in the United States alone. Gibson's filmography includes television series, feature films, television films, and animated films.


Awards and accomplishments

* People's Choice Awards: Favorite Motion Picture Actor (1991,1997,2001,2003, 2004)
* People's Choice Awards: Favorite Motion Picture Star in a Comedy (2001)
* ShoWest Award: Male Star of the Year (1993)
* ShoWest Award: Director of the Year (1996)
* American Cinematheque Gala Tribute: American Cinematheque Award (1995)
* Hasty Pudding Theatricals: Man of the Year (1997)
* Australian Film Institute: Global Achievement Award (2002)
* Honorary Doctorate Recipient and Undergraduate Commencement Speaker, Loyola Marymount University (2003)
* World's most powerful celebrity by US business magazine Forbes (2004)
* Hollywood Reporter Innovator of the Year (2004)
* Honorary fellowship in Performing Arts by Limkokwing University (2007)
* Outstanding Contribution to World Cinema Award at the Irish Film and Television Awards (2008)



(source:wikipedia)

Mel Gibson to Produce Oren Peli-Directed Thriller 'Eliza Graves'

Oren Peli ("Paranormal Activity") is developing the thriller "Eliza Graves" as a potential directing vehicle, the filmmaker's representation at CAA has confirmed to TheWrap.

Mel Gibson is producing the movie, which is loosely based on one of Edgar Allan Poe's short stories.

Joe Gangemi's script follows a Harvard Medical School graduate who takes a job at an insane asylum, unaware that it has been taken over by its occupants.

Gibson's Icon Prods. is teaming on the long-gestating project with Sobini Films, whose Mark Amin, David Higgins and Cami Winikoff will produce with Gibson and his Icon partner Bruce Davey.

Jodie Foster was previously circling the director's chair, while Natalie Portman and Ian McKellan were linked to the lead roles in the past.

Poe projects seem to be in vogue at the moment, with James McTeigue preparing to direct FilmNation's loose adaptation of "The Raven," while just last year Josh Lucas starred in "Tell Tale," Michael Cuesta's adaptation of "The Tell-Tale Heart."

Peli, who just wrapped Paramount's upcoming alien thriller "Area 51," recently produ


(source:thewrap.com)

Oren Peli

Oren Peli (Hebrew: אורן פלי‎; born 1971) is an Israeli-born film director and screenwriter. He is also a video game programmer.


 Biography
Game programmer career

He has also worked on the PC version of Mortal Kombat 3 as a programmer.
 Film career

He wrote and directed the hit film Paranormal Activity. He directed the film Area 51, which will be released in 2010. Peli will produce the James Wan project The Further. He will also produce with Steven Schneider and Jason Blum the thriller film Insidious, which is directed by James Wan and written by Leigh Whannell.On September 22, 2010 it was announced he would be producing Lords of Salem and the film will be written and directed by Rob Zombie.

Filmography
Year Film Director Producer Writer
2007 Paranormal Activity Yes Yes Yes
2010 Area 51 Yes Yes Yes
2010 Paranormal Activity 2 No Yes Yes
TBA Insidious No Yes No
TBA Lords of Salem No Yes No


(souece:wikipedia)