Bridget Jane Fonda, (born 27 January 1964) is a US actress.
Early life
Fonda was born in Los Angeles, California into a family of actors including her grandfather Henry Fonda, her father Peter Fonda, and her aunt Jane Fonda. Her mother Susan Jane Brewer is an artist. She is named after actress Margaret Sullavan's daughter Bridget Hayward who committed suicide at the age of 21. Sullavan was her grandfather's first wife. Her parents divorced and Peter remarried Portia Rebecca Crockett (former wife of author Thomas McGuane). Peter and Portia brought up Bridget, her brother Justin, and older stepbrother Thomas McGuane Jr (born circa 1962) in the Coldwater Canyon section of Los Angeles as well as just south of Livingston, Montana, where both brothers attended high school.[citation needed] Fonda attended Westlake School for Girls in Los Angeles. During this time she and Justin had little contact with the Fonda family, with Bridget recalling in an interview: "When I was a kid, the most important thing for me was my home. People would come and go and things would change but that place wouldn't. I loved it. I want to have that for the rest of my life. I want to have a place".
Career
Fonda first became involved with the theatre when she was cast in a school production of Harvey. She refused to solicit acting tips and advice from her famous relatives and studied method acting at New York University's Tisch School of the Arts and the Lee Strasberg Theatre Institute.
She made her film debut at the age of five in the 1969 movie Easy Rider as a child in the hippie commune that Peter Fonda and Dennis Hopper visit on their trek across the United States. Her second (also non-speaking) bit part was in the 1982 comedy Partners. In 1988 she got her first substantial film role, costarring with John Hurt in Scandal, based on the Profumo affair. That year she also appeared in You Can't Hurry Love and Shag.
Her breakthrough role, however, was as a journalist in The Godfather, Part III. After gaining additional work experience in a few theater productions she was cast in the lead in Barbet Schroeder's Single White Female, followed by a role in Cameron Crowe's ensemble comedy Singles, both in 1992. A review in the New Yorker proclaimed her "provocative, taunting assertiveness", and Rolling Stone said Fonda was "a comic delight". In 1997 Fonda was on the same plane flight as Quentin Tarantino when he offered her the part of a beach babe in Jackie Brown. Fonda was also offered the lead role in the television series Ally McBeal (later accepted by Calista Flockhart), but turned it down to focus on her film career.
Personal life
Fonda has not appeared in films since 2002. On 29 November 2003 Fonda married film composer and former Oingo Boingo frontman Danny Elfman.They have a son Oliver, born in mid-January 2005.
Award nominations
1990 - Golden Globe Award for Best Supporting Actress in a Motion Picture for Scandal
1997 - Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie for In the Gloaming
2002 - Golden Globe Award for Best Performance by an Actress In A Mini-series or Motion Picture Made for Television for After Amy
Filmography
Easy Rider (1969) (uncredited part as little girl in hippie commune)
Partners (1982)
Aria (1987)
You Can't Hurry Love (1988)
Light Years (1988) (voice in English version)
Scandal (1989)
Jacob Have I loved (1989)
Shag (1989)
Strapless (1989)
Frankenstein Unbound (1990)
The Godfather Part III (1990)
Out of the Rain (1991)
Doc Hollywood (1991)
Iron Maze (1991)
Drop Dead Fred (1991)
Leather Jackets (1992)
Single White Female (1992)
Singles (1992)
Army of Darkness (1992)
Bodies, Rest & Motion (1993)
Point of No Return (1993) aka (outside the US) The Assassin
Little Buddha (1993)
It Could Happen to You (1994)
The Road to Wellville (1994)
Camilla (1994)
Rough Magic (1995)
Balto (1995) (voice of Jenna)
City Hall (1996)
Grace of My Heart (1996)
Touch (1997)
Mr. Jealousy (1997)
Jackie Brown (1997)
Break Up (1998)
A Simple Plan (1998)
Finding Graceland (1998)
Lake Placid (1999)
South of Heaven, West of Hell (2000)
Delivering Milo (2001)
Monkeybone (2001)
Kiss of the Dragon (2001)
No Ordinary Baby (2001)
The Whole Shebang (2001)
Snow Queen (2002)
Source:wikipedia
Profile Facts, about celebrities,Country profiles provide information on geography, maps, flags, history, populations, cities, ethnicity, literacy, economics, government, current rulers,
Showing posts with label Parthenon. Show all posts
Showing posts with label Parthenon. Show all posts
Friday, May 21
Thursday, May 20
Dian Sastrowardoyo
Diandra Paramita Sastrowardoyo, (born March 16, 1982 in Jakarta, Indonesia) -- more popularly known as Dian Sastro or Dian Sastrowardoyo -- is an Indonesian model and actress.
In 1996, she was the cover girl of Gadis, a teen magazine in Indonesia. She later became popular as Daya, the protagonist in Pasir Berbisik (Whispering Sand). Dian finally kick-started her career on the big screen with a starring role in the boxoffice hit (In Indonesia and Malaysia) Ada Apa Dengan Cinta (AADC) (What's Up With Love? (film)). Since then she has established herself as one of Indonesia's most bankable actresses, starring in films such as , Banyu Biru, Ungu Violet and Belahan Jiwa. as well as foreign movies like the Malaysian produced, Puteri Gunung Ledang
Her recent (as of March 2007) television appearances include playing Raya in Dunia Tanpa Koma and a brief stint as the host of the game show Kuis Super Milyarder Tiga Milyar.
Dian Sastrowardoyo latest film titled Fana: The Forbidden Love, Dalton Alka Cinema production, a film company from Turkey. Fana scheduled to appear early December 24, 2010, the day commemorating the Tsunami disaster in Aceh in 2004, because of love-themed film banned in the mainland of Aceh, before and after the 2004 tsunami disaster. In the film, "Dian Sastrowardoyo" tested her acting skill was so extreme that she had to play characters Gayo, a Muslim transeksualis and blind, who must love her own brother, Azzam, who was played by handsome actor, Dude Harlino. In addition to the Dude Harlino, Dian also be paired again with the senior actress Christine Hakim and senior actor Deddy Mizwar.
Other Dian latest film is Cintaku Di Kabut Toba or Love In Fog Toba, the famous director Chaerul Umam. In this film, Dian will be paired again for the fourth time with the actor Nicholas Saputra, after they scored a huge success by "Ada Apa Dengan Cinta?", "3 Doa 3 Cinta", and "Drupadi". "Cintaku Di Kabut Toba" will story of Seruni, a famous actress, who ran away from the noisy world of entertainment noise, to a remote village in Toba, North Sumatra. Her meeting with Samosir, who was played by Nicholas Saputra, changing drastically Seruni life. They then fell in love. However Seruni suddenly disappeared, and returned to Jakarta without saying good-bye to Samosir. Apparently Seruni had Alzheimer's disease. They later reunited ten years later in very different conditions
Family
Sastrowardoyo is the daughter and only child of the late Ariawan Sastrowardoyo (1955-1995) and Dewi Parwati Sastrowardoyo (née Setyorini). Her paternal grandparents are the late Dr. Sumarsono Sastrowardoyo, a retired physician and surgeon (and author of the memoir Kembali ke Uteran (Return to Uteran)), and the late Ina Sastrowardoyo.
She is a niece of Dr. Aswin W. Sastrowardoyo (b. 1957), currently a physician and formerly guitarist and singer with Chaseiro[2], a music group of the 1970s and 80s; and Lisa Damayanti Sastrowardoyo (b. 1962). She is also the grandniece of, among others, Sunario (1902-1997), Indonesia's minister of foreign affairs from 1953 to 1956; Dra. Sukanti Suryochondro, a former instructor in women's studies at the University of Indonesia; and Subagio Sastrowardoyo (1924-1995), a noted poet and literary critic.
A screenplay based on Kembali ke Uteran is in the works, with plans for Sastrowardoyo to play her own great-grandmother in the film adaptation.
Sastrowardoyo's family name is derived from sastra (Sanskrit, writings) and wardaya (Sanskrit, heart), so literally means "writings of the heart."
Her paternal great-grandfather, Sutejo Sastrowardoyo (1876-1967), traced the family's ancestry back to 15th century Java.
Spouse
Dian Sastrowardoyo is married with to businessman and car racer Indraguna Sutowo on this May, 18 2010. Indraguna Sutowo also known as the son of tycoon Adiguna Sutowo.
Education
TK: Don Bosco
SD: SD Strada Van Lith II, Duren Sawit, Jakarta
Junior: SMP Vincentius Otista, Jakarta
High school: SMA Tarakanita I, Pulo Raya, Jakarta
S1: Department of Philosophy, Faculty of Literature, University of Indonesia (graduated in July 2007)
Before the lecture on philosophy UI, Dian had studied at the Faculty of Law UI
Filmography
Film
Cintaku Di Kabut Toba (2010) - Seruni with actor "Nicholas Saputra"
Fana : The Forbidden Love (2010) - Gayo with actor "Dude Harlino"
Drupadi (2009) - Drupadi - with actor "Nicholas Saputra"
3 Doa 3 Cinta (2008) - Dona Satelit - with actor "Nicholas Saputra"
Belahan Jiwa- Benny (2006) - Cempaka - with actress "Rachel Maryam" "Nirina Zubir" "Marcella Zalianty" and "Dinna Olivia"
Ungu Violet (2005) - Kalin - with actor "Rizky Hanggono"
Banyu Biru (2005) - Sula - with actor "Tora Sudiro"
Puteri Gunung Ledang (2005) - Medicine Seller's Daughter (cameo)
Arisan! (2004) - Woman in Gallery (cameo)
Ada Apa dengan Cinta? (2002) - Cinta - with actor "Nicholas Saputra" and actress "Titi Kamal"
Pasir Berbisik (2001) - Daya - with actress "Christine Hakim"
Bintang Jatuh (2000) - Donna
Television
Panasonic Cinema - host
Dunia Tanpa Koma (2006) - Raya
[edit]Commercial TV
Dian Sastrowardoyo is the most popular commercial TV model in Indonesia
LUX
L'OREAL
SAMSUNG CORBY
NATUR-E
PANASONIC
MENTARI INDOSAT
SUNSILK
KIDZANIA
Awards
Festival Film Indonesia 2004 "Best Actress" - Ada Apa Dengan Cinta
Deauville Asian Film Festival 2002 "Best Actress" - Pasir Berbisik
SCTV Award 2002 "Most Favorite Actress Nominated"
Singapore International Film Festival 2002 "Best Actress" - Pasir Berbisik
Hawai International Film Festival 2003 "Best Actress" - Ada Apa Dengan Cinta
Malaysian Film Festival 2003 "Most Favorite Indonesian Actress" - Ada Apa Dengan Cinta
Festival Film Bandung 2003 "Best Actress" - Ada Apa Dengan Cinta
Asia Pasific Film Festival 2005 "Most Promising Actress" - Banyu Biru
MTV Asia Movie Award in Singapore 2005 "Most Favorite Actress" - Ungu Violet
MTV Indonesia Movie Award 2005 "Most Favorite Actress" - Ungu Violet
Pusan International Film Festival 2009 "Silver Award for Leading Female Performance" - 3 Doa 3 Cinta
Bali International Film Festival 2009 "Best Supporting Actress" - 3 Doa 3 Cinta
ELLE Film Magazine USA Award 2009 "Actress of The Year" - 3 Doa 3 Cinta
USA Magazine Indonesia Award 2010 "Most Favorite Actress" - Drupadi
Music Videos
Sastrowardoyo has appeared in these music videos:
Xirus Indonesia "Yang Terdalam" (2010)
Glenn Fredly "Hitam Putih" (2009)
Peterpan "Menghapus Jejakmu" (2007)
T-Five "Yang Terindah" (2002)
Dewa "Sayap-sayap Patah" (2001)
Shelomita "Langkah" (2000)
Katon Bagaskara "Cinta Selembut Awan" (2000)
Sheila on 7 "J.A.P" (1999)
Sheila on 7 "Anugerah Terindah" (1999)
The Fly "Air Mata Sunyi" (1999)
KLA Project "Gerimis" (1996)
Source:wikipedia
In 1996, she was the cover girl of Gadis, a teen magazine in Indonesia. She later became popular as Daya, the protagonist in Pasir Berbisik (Whispering Sand). Dian finally kick-started her career on the big screen with a starring role in the boxoffice hit (In Indonesia and Malaysia) Ada Apa Dengan Cinta (AADC) (What's Up With Love? (film)). Since then she has established herself as one of Indonesia's most bankable actresses, starring in films such as , Banyu Biru, Ungu Violet and Belahan Jiwa. as well as foreign movies like the Malaysian produced, Puteri Gunung Ledang
Her recent (as of March 2007) television appearances include playing Raya in Dunia Tanpa Koma and a brief stint as the host of the game show Kuis Super Milyarder Tiga Milyar.
Dian Sastrowardoyo latest film titled Fana: The Forbidden Love, Dalton Alka Cinema production, a film company from Turkey. Fana scheduled to appear early December 24, 2010, the day commemorating the Tsunami disaster in Aceh in 2004, because of love-themed film banned in the mainland of Aceh, before and after the 2004 tsunami disaster. In the film, "Dian Sastrowardoyo" tested her acting skill was so extreme that she had to play characters Gayo, a Muslim transeksualis and blind, who must love her own brother, Azzam, who was played by handsome actor, Dude Harlino. In addition to the Dude Harlino, Dian also be paired again with the senior actress Christine Hakim and senior actor Deddy Mizwar.
Other Dian latest film is Cintaku Di Kabut Toba or Love In Fog Toba, the famous director Chaerul Umam. In this film, Dian will be paired again for the fourth time with the actor Nicholas Saputra, after they scored a huge success by "Ada Apa Dengan Cinta?", "3 Doa 3 Cinta", and "Drupadi". "Cintaku Di Kabut Toba" will story of Seruni, a famous actress, who ran away from the noisy world of entertainment noise, to a remote village in Toba, North Sumatra. Her meeting with Samosir, who was played by Nicholas Saputra, changing drastically Seruni life. They then fell in love. However Seruni suddenly disappeared, and returned to Jakarta without saying good-bye to Samosir. Apparently Seruni had Alzheimer's disease. They later reunited ten years later in very different conditions
Family
Sastrowardoyo is the daughter and only child of the late Ariawan Sastrowardoyo (1955-1995) and Dewi Parwati Sastrowardoyo (née Setyorini). Her paternal grandparents are the late Dr. Sumarsono Sastrowardoyo, a retired physician and surgeon (and author of the memoir Kembali ke Uteran (Return to Uteran)), and the late Ina Sastrowardoyo.
She is a niece of Dr. Aswin W. Sastrowardoyo (b. 1957), currently a physician and formerly guitarist and singer with Chaseiro[2], a music group of the 1970s and 80s; and Lisa Damayanti Sastrowardoyo (b. 1962). She is also the grandniece of, among others, Sunario (1902-1997), Indonesia's minister of foreign affairs from 1953 to 1956; Dra. Sukanti Suryochondro, a former instructor in women's studies at the University of Indonesia; and Subagio Sastrowardoyo (1924-1995), a noted poet and literary critic.
A screenplay based on Kembali ke Uteran is in the works, with plans for Sastrowardoyo to play her own great-grandmother in the film adaptation.
Sastrowardoyo's family name is derived from sastra (Sanskrit, writings) and wardaya (Sanskrit, heart), so literally means "writings of the heart."
Her paternal great-grandfather, Sutejo Sastrowardoyo (1876-1967), traced the family's ancestry back to 15th century Java.
Spouse
Dian Sastrowardoyo is married with to businessman and car racer Indraguna Sutowo on this May, 18 2010. Indraguna Sutowo also known as the son of tycoon Adiguna Sutowo.
Education
TK: Don Bosco
SD: SD Strada Van Lith II, Duren Sawit, Jakarta
Junior: SMP Vincentius Otista, Jakarta
High school: SMA Tarakanita I, Pulo Raya, Jakarta
S1: Department of Philosophy, Faculty of Literature, University of Indonesia (graduated in July 2007)
Before the lecture on philosophy UI, Dian had studied at the Faculty of Law UI
Filmography
Film
Cintaku Di Kabut Toba (2010) - Seruni with actor "Nicholas Saputra"
Fana : The Forbidden Love (2010) - Gayo with actor "Dude Harlino"
Drupadi (2009) - Drupadi - with actor "Nicholas Saputra"
3 Doa 3 Cinta (2008) - Dona Satelit - with actor "Nicholas Saputra"
Belahan Jiwa- Benny (2006) - Cempaka - with actress "Rachel Maryam" "Nirina Zubir" "Marcella Zalianty" and "Dinna Olivia"
Ungu Violet (2005) - Kalin - with actor "Rizky Hanggono"
Banyu Biru (2005) - Sula - with actor "Tora Sudiro"
Puteri Gunung Ledang (2005) - Medicine Seller's Daughter (cameo)
Arisan! (2004) - Woman in Gallery (cameo)
Ada Apa dengan Cinta? (2002) - Cinta - with actor "Nicholas Saputra" and actress "Titi Kamal"
Pasir Berbisik (2001) - Daya - with actress "Christine Hakim"
Bintang Jatuh (2000) - Donna
Television
Panasonic Cinema - host
Dunia Tanpa Koma (2006) - Raya
[edit]Commercial TV
Dian Sastrowardoyo is the most popular commercial TV model in Indonesia
LUX
L'OREAL
SAMSUNG CORBY
NATUR-E
PANASONIC
MENTARI INDOSAT
SUNSILK
KIDZANIA
Awards
Festival Film Indonesia 2004 "Best Actress" - Ada Apa Dengan Cinta
Deauville Asian Film Festival 2002 "Best Actress" - Pasir Berbisik
SCTV Award 2002 "Most Favorite Actress Nominated"
Singapore International Film Festival 2002 "Best Actress" - Pasir Berbisik
Hawai International Film Festival 2003 "Best Actress" - Ada Apa Dengan Cinta
Malaysian Film Festival 2003 "Most Favorite Indonesian Actress" - Ada Apa Dengan Cinta
Festival Film Bandung 2003 "Best Actress" - Ada Apa Dengan Cinta
Asia Pasific Film Festival 2005 "Most Promising Actress" - Banyu Biru
MTV Asia Movie Award in Singapore 2005 "Most Favorite Actress" - Ungu Violet
MTV Indonesia Movie Award 2005 "Most Favorite Actress" - Ungu Violet
Pusan International Film Festival 2009 "Silver Award for Leading Female Performance" - 3 Doa 3 Cinta
Bali International Film Festival 2009 "Best Supporting Actress" - 3 Doa 3 Cinta
ELLE Film Magazine USA Award 2009 "Actress of The Year" - 3 Doa 3 Cinta
USA Magazine Indonesia Award 2010 "Most Favorite Actress" - Drupadi
Music Videos
Sastrowardoyo has appeared in these music videos:
Xirus Indonesia "Yang Terdalam" (2010)
Glenn Fredly "Hitam Putih" (2009)
Peterpan "Menghapus Jejakmu" (2007)
T-Five "Yang Terindah" (2002)
Dewa "Sayap-sayap Patah" (2001)
Shelomita "Langkah" (2000)
Katon Bagaskara "Cinta Selembut Awan" (2000)
Sheila on 7 "J.A.P" (1999)
Sheila on 7 "Anugerah Terindah" (1999)
The Fly "Air Mata Sunyi" (1999)
KLA Project "Gerimis" (1996)
Source:wikipedia
Axl Rose
W. Axl Rose (born William Bailey Rose, Jr. on February 6, 1962 in Lafayette, Indiana)[2] is an American musician, and the lead vocalist of hard rock band Guns N' Roses.
As the lead singer for Guns N' Roses, Rose enjoyed tremendous success, recognition, record and concert ticket sales in the late 1980s and early 1990s before dropping out of the public eye for several years. In 2001, he resurfaced with a new line-up of Guns N' Roses, and has since played periodic concert tours, finally releasing the long delayed album Chinese Democracy in 2008. This album was actually recorded over many years before finally being released.
The only original member still part of the band's line-up, Rose still places high in numerous polls as one of hard rock's all-time greatest frontmen, but is also infamous for his on stage antics and high-profile disputes with former band mates and others in the entertainment business.
He was ranked 11 in the Hit Parader's Top Metal Vocalist of All Time and 64 in Rolling Stone's 100 Greatest Singers of All Time.
Biography
Early years (1962-1982)
Born as William Bailey Rose, Jr. in Lafayette, Indiana, as the only child to Sharon E. Lintner, then 16 years old, and William Bruce Rose, then 20 years old. Rose is predominantly of Scottish and German ancestry. In addition, one of his grandmothers was Polish.When Rose was two years old, his father abandoned his family. In 1965, Rose's mother met Stephen L. Bailey at a singles night at her church, and married him shortly after. She changed her son's name to William Bruce Bailey, using the surname of her new husband. He has two younger half-siblings – sister Amy and brother Stuart. Rose has stated that he and his siblings were often physically abused by Bailey. As a child, Rose believed that Bailey was his biological father. Rose stated in an interview with Rolling Stone magazine in April 1992, that during his childhood, he was made to believe that women and sexuality were evil and that due to the violent treatment of his mother by his stepfather he witnessed as an impressionable child, he had been led to think that domestic violence was normal in families.
The Bailey household was deeply religious, and Rose and his family having attended a Pentecostal church, where he was required to attend services three to eight times per week. He sang in church from the age of five, and also performed at services with his brother and sister in the "Bailey Trio". Rose was so involved with the church that he even taught Sunday School. In addition to singing in church, he also participated in his high school chorus and studied piano.
Rose speaks in the baritone register. He originally sang in the low baritone range in his choir, however his normal singing voice is tenor range. He can sing parts ranging from bass, to baritone, and to a high falsetto/soprano, and has several different recognized "voices" used in his songs. He has stated that he originally started to develop his range to confuse his chorus teacher in school.
He attended Jefferson High School in Lafayette. He dropped out of high school. At age 17, while going through papers in his parents' home, Rose learned of his biological father's existence and his own origins, and readopted his birth name, William Rose (although he was still legally William Bailey). He referred to himself as W. Rose only, however, as he did not wish to share a name with his biological father.
After discovering the truth of his background, Rose began "acting out" in earnest. He was in trouble numerous times with the police, and was arrested over twenty times on charges such as public drunkenness and assault. At age 16, he was kicked out of his house for not cutting his hair. At this age, Rose also met future Guns guitarist Izzy Stradlin in a driver's education class. The two bonded over their love of rock music and eventually started playing in bands together. Stradlin eventually left Rose, and Indiana, to go to Los Angeles and focus on music.
Lafayette authorities threatened to charge Rose as a habitual criminal in his late teenage years. When he was 17, on the advice of his lawyer, he left Indiana and began hitchhiking and taking buses across the country.Although he returned to Indiana to visit family from time to time, he left for good in December 1982 and moved to Los Angeles, accompanied by a girlfriend.
Rose eventually adopted the name W. Axl Rose ("Axl" after a band in which he once played ), and set out to re-unite with Stradlin. Rose legally changed his name to "W. Axl Rose" in 1986, and had the moniker tattooed on his arm., on the eve of Guns N' Roses signing with Geffen Records. According to author Stephen Davis, Rose tried to sign the contract "W. Axl Rose", but was legally unable to do so, since his legal name was still William Bailey. Rose then changed his name legally.
Pre-Guns N' Roses years (1983–1984)
Once in Los Angeles, Rose began performing with various local bands, including Rapidfire, Rose, L.A. Guns and Hollywood Rose. While struggling to make an impact on the Hollywood music scene, Rose held down a variety of jobs, including the position of night manager at the Tower Records location on Sunset Boulevard. In an attempt to earn money, Rose and Stradlin even smoked cigarettes for a scientific study at UCLA for the reported wages of $8/hour.
Success with Guns N' Roses (1985–1994)
Rose and his L.A. Guns bandmate Tracii Guns formed Guns N' Roses in March 1985. The band was a merger of L.A. Guns and Hollywood Rose, and featured musicians who had played for one or both groups, including Ole Beich and Duff McKagan. The band debuted at the Troubadour in Hollywood and proceeded to play the L.A. circuit, eventually building a fan following and attracting the attention of several record companies. Following a dispute with Tracii Guns, and his departure from the band, Axl then called Slash (having met him from the time Slash spent in Hollywood Rose.) So with Rose on vocals, Slash on lead guitar, Izzy Stradlin on rhythm guitar. Guns N' Roses was signed to Geffen Records in 1986 and released a four-song EP, Live ?!*@ Like a Suicide, on their own label, UZI Suicide, in December of that year.
The band's major label debut album, entitled Appetite for Destruction, was released in the United States on July 21, 1987. The record had a slow start, selling only 500,000 copies in the first year of its release. However, fueled by relentless touring, constant MTV video rotation of "Sweet Child o' Mine" and "Welcome to the Jungle," and the mainstream success of "Sweet Child o' Mine", Appetite for Destruction rose to the #1 position on the Billboard 200 chart in the United States in the fall of 1988. To date, Appetite for Destruction ranks as the best-selling debut album in the United States, has been certified 18x platinum by the RIAA, and has sold over 28 million copies worldwide.
With the success of Appetite for Destruction and its follow-up EP, GN'R Lies, Rose found himself lauded as one of rock's most prominent frontmen. In a 1990 interview with MTV, journalist Kurt Loder referred to Rose as "maybe the finest hard rock singer currently on the scene, and certainly the most charismatic." He was featured on the cover of Rolling Stone magazine in August 1989 and again in April 1992.
Rose performing with Guns N' Roses on the Use Your Illusion Tour in Tel Aviv, Israel, 1993
In 1990, Guns N' Roses returned to the studio to begin recording the full-length follow-up to Appetite for Destruction. Recording sessions were temporarily scuttled when Steven Adler, battling drug and alcohol addiction, was fired in July 1990 and replaced by former Cult drummer Matt Sorum.[23] The band fired their manager, Alan Niven, in May 1991, replacing him with Doug Goldstein. According to a 1991 cover story by Rolling Stone magazine, Rose forced the dismissal of Niven, against the wishes of some of his bandmates, by refusing to complete the albums until he was replaced. It is said that the reason for it was an attempt by Niven to pick-up on his then-girlfirend, future wife, and eventual divorcee, Erin Everly, daughter of Don Everly, of the Everly Brothers.
With enough music for two albums, the band released Use Your Illusion I and Use Your Illusion II on September 17, 1991. The tactic paid off when the albums debuted at #2 and #1 respectively on the Billboard chart, setting a record as Guns N' Roses became the only group to date to achieve this feat. The albums spent 108 weeks on the chart.
In the late spring of 1991, before the Illusion albums were released, Guns N' Roses embarked on the 28-month-long Use Your Illusion World Tour. It became famous for both its financial success and the many controversial incidents that occurred at the shows.
During the tour it was alleged, and long accepted, that Rose demanded and received sole ownership of the Guns N' Roses name from bandmates Slash and McKagan. However, this story was recently disputed by Rose, who claimed it would have been legally impossible for him to do such a thing His relationships with his bandmates became increasingly strained: Izzy Stradlin left the group voluntarily on November 7, 1991, and was replaced by former Kill For Thrills guitarist Gilby Clarke for the remainder of the two-year tour. Clarke himself left in 1994, and was replaced by Rose's childhood friend Paul Tobias. When Rose replaced Slash's guitar parts with those of Tobias on the band's cover version of the Rolling Stones' song "Sympathy for the Devil" for the soundtrack of the film Interview with the Vampire, tension increased further. Slash, McKagan and Sorum all left Guns N' Roses at various points between 1996 and 1997, leaving Rose and keyboardist Dizzy Reed as the only remaining Illusion-era members of the band.
While the Guns N' Roses name is owned solely by Rose, the band's back catalog is controlled jointly by Rose, Slash and McKagan. In 2004, the three presented a united front in a joint lawsuit against Universal and Geffen, in which they unsuccessfully attempted to block the release of the Greatest Hits compilation album.
Slash and McKagan have also filed several lawsuits against Rose for matters related to control and administration of the songs in the Guns N' Roses catalog. One of the cases, in which McKagan and Slash stated that they had been denied royalty checks for Guns N' Roses's sales in 2005, was determined to be the result of a clerical error by ASCAP and was resolved.
Hiatus, touring and Chinese Democracy (1995–present)
As the stability of Guns N' Roses collapsed, Rose withdrew from public view. The band never actually broke up, although it did not tour or perform for several years and no new material was released. Rose continued to recruit new musicians to replace the charter members as they gradually defected. The last charter member of the band to go (aside from Rose himself) was Duff McKagan.
By the late 1990s, he was considered to be a recluse, rarely making public appearances and spending most of his time holed up in his mansion in Malibu. In various reports in the press, he was referred to as the "Howard Hughes of rock" and "rock's greatest recluse".Rose was said to spend his nights rehearsing and writing with the various new lineups of Guns N' Roses, working on the band's next album, Chinese Democracy.
In a rare interview with Rolling Stone in 2006, Rose shed more light on his long awaited Chinese Democracy album. "We're working on 32 songs, and 26 are nearly done," he said in the interview. "People will hear music this year," he said. "It's a very complex record, I'm trying to do something different. Some of the arrangements are kind of like Queen. Some people are going to say, 'It doesn't sound like Axl Rose, it doesn't sound like Guns N' Roses.' But you'll like at least a few songs on there."
Rose (center) on the Chinese Democracy Tour in 2006
Guns N' Roses resurfaced with concert tours in 2002 and again in 2006. The band, now consisting of Rose, Dizzy Reed, Robin Finck, Tommy Stinson, Chris Pitman, Richard Fortus, Frank Ferrer and Ron "Bumblefoot" Thal (replacing Buckethead), performed their first live concerts in the United States in over three years on May 12, May 14, May 15, and May 17, 2006 at the Hammerstein Ballroom in New York City. They also performed in Madrid on May 25 and in Lisbon (Rock in Rio) on May 27 to an audience of over 50,000.
On May 6, 2006, Rose appeared on the Eddie Trunk radio show and promised that the album would be released sometime in the fall or late fall 2006.[38]
On April 5, 2006, Rose presented The Killers at the MTV Video Music Awards by coming out onto the stage and screaming his trademark, "Do you know where the fuck you are?!" In an interview backstage, Rose revealed that the official Chinese Democracy tour would begin "around October 24th", and that the album would be out that year.
On December 15, 2006, Rose issued an open letter to Guns N' Roses fans, discussing, among other things, the reasons why Chinese Democracy had not been released yet. In it, Axl stated that he hoped the album would appear in 2007, and named March 6 as a tentative release date.However, the album's release date was pushed back once again.
In 2007, Rose collaborated with longtime friend Sebastian Bach on his solo album Angel Down, doing a duet with Bach on a cover of the Aerosmith song "Back in the Saddle". Rose also performed backing vocals on "(Love is) a Bitchslap" and "Stuck Inside", for which he was credited as a co-writer.
On October 22, 2008, a new release date was officially announced for Chinese Democracy: November 23, 2008 (the Sunday before Thanksgiving Day). The album was exclusively released via Best Buy.
On December 11, 2009, Guns N' Roses kicked off their 2009/2010 Chinese Democracy tour in Taipei, Taiwan.
Controversy
Drug use
After Guns N' Roses became successful, Rose noted that he had stopped using any sort of hard drugs. He did not disavow the use of illicit substances, stating in a 1989 interview "I have a different physical constitution and different mindset about drugs than anybody I've known in Hollywood, because I don't abstain from doing drugs, but I won't allow myself to have a fuckin' habit. I won't allow it".
Although Rose has not been known for alcohol abuse, on June 26, 2006, he was arrested in Stockholm, Sweden, after an early morning altercation in his hotel lobby with hotel security. Rose is alleged to have bitten a security guard's leg and shattered an antique lobby mirror while in a drunken rage. Rose later commented in a press release: "We had a great gig in Stockholm and I am not going to let this incident spoil that. My assistant Beta and I were talking in the lobby of the hotel when security started to give us a hard time. My only concern was to make sure she was okay". After spending the next several hours in a Stockholm drunk tank, Rose pled guilty to all charges and paid roughly $6,000 in fines and was released. The Summer European tour continued as scheduled.
One in a Million (Guns N' Roses song)
In 1988, Guns N' Roses released the EP G N' R Lies. Although the album had strong sales, there was outrage among some members of the public over the lyrics of the song "One in a Million", which included the words "niggers" and "faggots". As Rose was the lyricist of the piece and the song was composed about his personal experiences, he was labeled racist and homophobic, charges he strenuously denied.The lyrics led to Guns N' Roses being removed from the schedule at a 1989 concert benefiting the Gay Men's Health Crisis at Radio City Music Hall in New York City.
Rose claimed that he'd had bad experiences with homosexuals and was "confused" by gay men's sexual preferences. He also pointed out that many of his musical idols, including Elton John and Freddie Mercury, as well as the head of his record company, were gay or bisexual. Following this, in a surprising move, Rose performed "November Rain" with Elton John at the 1992 MTV Video Music Awards. John (along with Bernie Taupin) was a big influence on his musical and lyrical outlook. He also paid tribute to Freddie Mercury, another huge influence, at the 1992 Freddie Mercury Tribute Concert, where he again performed with John, this time singing Queen's "Bohemian Rhapsody". Rose has maintained his friendship with John to the current day and inducted him into the Rock & Roll Hall of Fame.
In addressing the accusations of racism, Rose gave several explanations. In one 1989 interview, he stated that he had used the word to signify "somebody that is basically a pain in your life, a problem. The word nigger doesn't necessarily mean black", and referenced the rap group Niggaz Wit Attitudes (NWA) as using the word in a positive context.[9] Rose was occasionally photographed wearing an NWA hat from then on. By 1992, however, Rose seemed to have gained new perspective on the song and its lyrics. In one interview, he conceded that the word had been used as an insult, but added: "I was pissed off about some black people that were trying to rob me. I wanted to insult those particular black people. I didn't want to support racism".
Rose was consistent in strongly denying accusations that he was racist. He also expressed concern and disapproval at those who used "One in a Million" to promote their own racist views, noting: "There's a lot of people who have chosen to use that song. However that song makes them feel, they think that must be what the song means. If they hate blacks, and they hear my lines and hate blacks even more, I'm sorry, but that's not how I meant it".
[edit]Riots, rants, and legal troubles
Throughout Guns N' Roses' career, Rose has been notorious for personally addressing disruptive fans and giving instructions to security guards from the stage, at times stopping concerts to deal with issues in the crowd. In his 1992 Rolling Stone interview Rose explained, "Most performers would go to a security person in their organization, and it would just be done very quietly. I'll confront the person, stop the song: "Guess what: You wasted your money, you get to leave."He has also been noted for his late appearances at concerts, sometimes taking the stage hours after the opening acts.
In many instances Rose's actions have seemed to be based in concern for the safety of the band and audience members. At the 1988 Monsters of Rock concert at Castle Donington, England during which two fans were crushed, Rose stopped the show several times when asked by security, as the audience rushed the stage. The fans had begun edging forward when the band appeared onstage. The final report into the Donington tragedy noted that Rose had immediately cooperated with venue security when advised of the dangerous crowd conditions, and had attempted to calm the crowd. In a more recent incident, during a concert in 2006 in Birmingham, Rose stopped the show and had a security guard ejected for assaulting a fan in the audience.
In July 1991, during the early stages of the 28-month-long Use Your Illusion Tour, Rose jumped off stage during a concert in St. Louis to take a video camera away from a fan. The concert was aborted as Rose threw his microphone down and stormed off stage saying "Thanks to the lame-ass security, I'm going home!" The other band members followed and the house lights came on, sparking an intense riot that caused significant damage to both the newly-constructed arena and Guns N' Roses' equipment and instruments. Rose was blamed for the melee, and was charged with four counts of misdemeanor assault and one charge of property damage, for which he was arrested in 1992. Guns N' Roses were also banned from St. Louis for life. The case eventually went to trial in late 1992, and resulted in a conviction, two years' probation and a US $50,000 fine for Rose.
Another riot occurred on August 8, 1992 at Montreal's Olympic Stadium, during Guns N' Roses' summer concert co-headlining tour with Metallica. During the performance, Metallica's set was cut short when the band's lead singer, James Hetfield, was burned in a pyrotechnics accident. Guns N' Roses was unable to take the stage early to make up for Metallica's abbreviated performance, as Rose was once again late arriving at the venue. Further compounding the situation, Rose walked off stage and left the stadium after playing nine songs (only about 50 minutes), claiming he had problems with his voice. Before "Double Talkin' Jive", Rose said this will be "our last show for a long time", and at the end of "Civil War", their last song, Rose said "Thank you, your money will be refunded" and walked offstage. A riot ensued, which spilled out into the streets. Authorities were barely able to bring the chaos under control.
On November 7, 2002 at Vancouver's General Motors Place, Rose did not show up for a scheduled show. The crowd became upset resulting in a riot causing thousands of dollars of damage to General Motors Place. Allegations of police brutality would follow the incident.
Problems have also occurred at several of Guns N' Roses's more recent concert events. On June 11, 2006, Guns N' Roses headlined the Download Festival in Donington Park, England. Within the first half hour of the show, Rose had become annoyed with the quality of the sound and had also lost his footing, nearly causing him to fall due to the "slippery stage". After briefly leaving and returning to the set mid song, throwing the microphone on the floor and exiting the stage citing technical difficulties while leaving Bumblefoot to play an instrumental of the song "Don't Cry", he returned to the stage with tennis shoes on (he was previously wearing boots), announced that he had some old friends to bring out, and was joined by Izzy Stradlin to play "Used to Love Her". Stradlin left and returned to the stage multiple times, for "Patience", and the final number "Paradise City". During the night, Rose was also joined by Sebastian Bach and together they sang "My Michelle".
On July 19, 2006, at a show in Newcastle, England, Rose walked off-stage during the performance of "Nightrain" after what was alleged to be a £1 coin was thrown on to the stage directly at him. Rose addressed the crowd off-stage and informed them that any person caught throwing objects at him or any other members of the band must be ejected from the auditorium. The band returned to the stage to finish the song after which Rose declared "The show is over", the band departed and the house lights were resumed. They did not play the usual "Paradise City" encore.
On December 11, 2009, at the Los Angeles International Airport, as he was leaving for Guns N' Roses' tour opener in Taipei, Rose got into a minor scuffle with a photographer. He ended up punching him in the face and then being carried off by his entourage. It started when the photographer got into a minor altercation with a member of Rose's entourage, which angered Rose, leading him to threaten him and attack him. The photographer has stated he will not press charges.
Events surrounding Chinese Democracy
Record executives at Geffen were reported to be furious with Rose for not doing any promotion or publicity for Chinese Democracy. AOL Canada Entertainment reported that, as of December 2, 2008, he had been missing for at least two months and had not returned any phone calls or other requests.
On December 11, 2008, Rose finally broke his silence, answering questions in person on three Guns N' Roses discussion boards and mentioning an upcoming music video for "Better". A far more comprehensive view of Axl Rose's interpretation of the controversy regarding the release of Chinese Democracy was published on February 6, 2009, Rose's 47th birthday, in both Billboard and on Reuters. In the interview, Rose speaks with disdain towards Interscope Records and in particular the chief of Interscope, Jimmy Iovine. He states that he never really received the support from them that he expected. The interview, technical in nature, reveals Rose's substantial knowledge of the inside workings of the music business, and how the rapid transformation of the music industry has worked against Guns N' Roses' release of Chinese Democracy. Axl was coy about the internet legend that two more albums of material are ready to be rolled out, only saying that he is focusing now on Chinese Democracy.
On December 16, 2008 Axl Rose made public an open letter posted on the official Guns N' Roses' website.
Work outside of music
Axl provided the voice of Tommy "The Nightmare" Smith, former lead singer of the fictional 1970s rock band Crystal Ship (a reference to the song by The Doors) and radio DJ of Classic rock radio K-DST, in the game Grand Theft Auto: San Andreas.
In addition, Rose appeared as an uncredited background performer in a funeral scene in Clint Eastwood's 1988 film The Dead Pool, along with the rest of the then-current lineup of Guns N' Roses.
In 2009, it was confirmed that Rose will be producing the film adaptation of the novel Almost Home.
Discography
With Hollywood Rose
Title Release Date Label
The Roots of Guns N' Roses 2004 (Recorded in 1983) Cleopatra
[edit]With Guns N' Roses
Main article: Guns N' Roses discography
Title Release Date Label
Appetite for Destruction 1987 Geffen
G N' R Lies 1988 Geffen
Use Your Illusion I 1991 Geffen
Use Your Illusion II 1991 Geffen
"The Spaghetti Incident?" 1993 Geffen
Live Era: '87–'93 1999 Geffen
Greatest Hits 2004 Geffen
Chinese Democracy 2008 Geffen
Guest appearances
Title Artist Release Date Label
The Decline of Western Civilization Part II: The Metal Years (Soundtrack) Various 1988 Capitol/I.R.S Records
The End of the Innocence Don Henley 1989 Geffen
Fire and Gasoline Steve Jones 1989 Gold Mountain
Not Fakin' It Michael Monroe 1989 Mercury
Pawnshop Guitars Gilby Clarke 1994 Virgin
Actual Miles: Henley's Greatest Hits Don Henley 1995 Geffen
Anxious Disease The Outpatience 1996 Musikitchen
The Life and Crimes of Alice Cooper Alice Cooper 1999 Rhino
Angel Down Sebastian Bach 2007 EMI
Personal life
]Feuds
Relationships
Throughout the mid eighties and into the early nineties, Rose was involved in a turbulent relationship with Erin Everly, the daughter of singer Don Everly. Rose wrote the lyrics of "Sweet Child o' Mine" about her, and she appeared in the video for the song. Rose and Everly were wed on April 28, 1990 in Las Vegas,[63] albeit under duress: according to Everly, Rose showed up at her home, told her he had a gun in his car, and that he would kill himself if she did not marry him. Rose wanted one of his heroes, Dan McCafferty frontman of Nazareth, to perform at his wedding. McCafferty commenting in 2004 said "I laughed when Axl asked me to sing "Love Hurts" at his wedding, because the song seemed to last for longer than the marriage! Around 18 people from their management kept phoning me to ask – 18 people! – but I eventually told them I was busy, which I probably was."
The couple separated after less than a month of marriage, but later reconciled for several months, during which time Everly became pregnant. She suffered a miscarriage in October 1990. This deeply affected Rose, who had wanted to have children of his own. The day after Everly's miscarriage, Rose was arrested after allegedly assaulting a neighbor with a wine bottle after the neighbor threatened to call the police because of Rose's loud music. The marriage between Everly and Rose was annulled in January 1991. Rose has never re-married and has no children.
After the breakup, Rose allegedly continued to try to contact Everly for more than a year, sending her flowers, letters, and even caged birds. In 1994, Everly filed a civil lawsuit against Rose, alleging various incidents of physical and emotional domestic violence had occurred before and during the marriage; the suit was eventually settled out of court.
By mid 1991, Rose had become involved with model Stephanie Seymour. While they were together, Seymour appeared in two Guns N' Roses videos, "November Rain" and "Don't Cry". Rose became deeply attached to Seymour's son, Dylan, and tried to be a good father figure for the child, as there had been none in his own life. Seymour and Rose parted ways in early 1993, Rose and Seymour then filed lawsuits against each other, each claiming that the other was physically abusive. In support of her case, Seymour subpoenaed Erin Everly, Rose's ex-wife, so Everly would testify that she was also abused by Rose. The lawsuits were settled out of court.
Source:wikipedia
As the lead singer for Guns N' Roses, Rose enjoyed tremendous success, recognition, record and concert ticket sales in the late 1980s and early 1990s before dropping out of the public eye for several years. In 2001, he resurfaced with a new line-up of Guns N' Roses, and has since played periodic concert tours, finally releasing the long delayed album Chinese Democracy in 2008. This album was actually recorded over many years before finally being released.
The only original member still part of the band's line-up, Rose still places high in numerous polls as one of hard rock's all-time greatest frontmen, but is also infamous for his on stage antics and high-profile disputes with former band mates and others in the entertainment business.
He was ranked 11 in the Hit Parader's Top Metal Vocalist of All Time and 64 in Rolling Stone's 100 Greatest Singers of All Time.
Biography
Early years (1962-1982)
Born as William Bailey Rose, Jr. in Lafayette, Indiana, as the only child to Sharon E. Lintner, then 16 years old, and William Bruce Rose, then 20 years old. Rose is predominantly of Scottish and German ancestry. In addition, one of his grandmothers was Polish.When Rose was two years old, his father abandoned his family. In 1965, Rose's mother met Stephen L. Bailey at a singles night at her church, and married him shortly after. She changed her son's name to William Bruce Bailey, using the surname of her new husband. He has two younger half-siblings – sister Amy and brother Stuart. Rose has stated that he and his siblings were often physically abused by Bailey. As a child, Rose believed that Bailey was his biological father. Rose stated in an interview with Rolling Stone magazine in April 1992, that during his childhood, he was made to believe that women and sexuality were evil and that due to the violent treatment of his mother by his stepfather he witnessed as an impressionable child, he had been led to think that domestic violence was normal in families.
The Bailey household was deeply religious, and Rose and his family having attended a Pentecostal church, where he was required to attend services three to eight times per week. He sang in church from the age of five, and also performed at services with his brother and sister in the "Bailey Trio". Rose was so involved with the church that he even taught Sunday School. In addition to singing in church, he also participated in his high school chorus and studied piano.
Rose speaks in the baritone register. He originally sang in the low baritone range in his choir, however his normal singing voice is tenor range. He can sing parts ranging from bass, to baritone, and to a high falsetto/soprano, and has several different recognized "voices" used in his songs. He has stated that he originally started to develop his range to confuse his chorus teacher in school.
He attended Jefferson High School in Lafayette. He dropped out of high school. At age 17, while going through papers in his parents' home, Rose learned of his biological father's existence and his own origins, and readopted his birth name, William Rose (although he was still legally William Bailey). He referred to himself as W. Rose only, however, as he did not wish to share a name with his biological father.
After discovering the truth of his background, Rose began "acting out" in earnest. He was in trouble numerous times with the police, and was arrested over twenty times on charges such as public drunkenness and assault. At age 16, he was kicked out of his house for not cutting his hair. At this age, Rose also met future Guns guitarist Izzy Stradlin in a driver's education class. The two bonded over their love of rock music and eventually started playing in bands together. Stradlin eventually left Rose, and Indiana, to go to Los Angeles and focus on music.
Lafayette authorities threatened to charge Rose as a habitual criminal in his late teenage years. When he was 17, on the advice of his lawyer, he left Indiana and began hitchhiking and taking buses across the country.Although he returned to Indiana to visit family from time to time, he left for good in December 1982 and moved to Los Angeles, accompanied by a girlfriend.
Rose eventually adopted the name W. Axl Rose ("Axl" after a band in which he once played ), and set out to re-unite with Stradlin. Rose legally changed his name to "W. Axl Rose" in 1986, and had the moniker tattooed on his arm., on the eve of Guns N' Roses signing with Geffen Records. According to author Stephen Davis, Rose tried to sign the contract "W. Axl Rose", but was legally unable to do so, since his legal name was still William Bailey. Rose then changed his name legally.
Pre-Guns N' Roses years (1983–1984)
Once in Los Angeles, Rose began performing with various local bands, including Rapidfire, Rose, L.A. Guns and Hollywood Rose. While struggling to make an impact on the Hollywood music scene, Rose held down a variety of jobs, including the position of night manager at the Tower Records location on Sunset Boulevard. In an attempt to earn money, Rose and Stradlin even smoked cigarettes for a scientific study at UCLA for the reported wages of $8/hour.
Success with Guns N' Roses (1985–1994)
Rose and his L.A. Guns bandmate Tracii Guns formed Guns N' Roses in March 1985. The band was a merger of L.A. Guns and Hollywood Rose, and featured musicians who had played for one or both groups, including Ole Beich and Duff McKagan. The band debuted at the Troubadour in Hollywood and proceeded to play the L.A. circuit, eventually building a fan following and attracting the attention of several record companies. Following a dispute with Tracii Guns, and his departure from the band, Axl then called Slash (having met him from the time Slash spent in Hollywood Rose.) So with Rose on vocals, Slash on lead guitar, Izzy Stradlin on rhythm guitar. Guns N' Roses was signed to Geffen Records in 1986 and released a four-song EP, Live ?!*@ Like a Suicide, on their own label, UZI Suicide, in December of that year.
The band's major label debut album, entitled Appetite for Destruction, was released in the United States on July 21, 1987. The record had a slow start, selling only 500,000 copies in the first year of its release. However, fueled by relentless touring, constant MTV video rotation of "Sweet Child o' Mine" and "Welcome to the Jungle," and the mainstream success of "Sweet Child o' Mine", Appetite for Destruction rose to the #1 position on the Billboard 200 chart in the United States in the fall of 1988. To date, Appetite for Destruction ranks as the best-selling debut album in the United States, has been certified 18x platinum by the RIAA, and has sold over 28 million copies worldwide.
With the success of Appetite for Destruction and its follow-up EP, GN'R Lies, Rose found himself lauded as one of rock's most prominent frontmen. In a 1990 interview with MTV, journalist Kurt Loder referred to Rose as "maybe the finest hard rock singer currently on the scene, and certainly the most charismatic." He was featured on the cover of Rolling Stone magazine in August 1989 and again in April 1992.
Rose performing with Guns N' Roses on the Use Your Illusion Tour in Tel Aviv, Israel, 1993
In 1990, Guns N' Roses returned to the studio to begin recording the full-length follow-up to Appetite for Destruction. Recording sessions were temporarily scuttled when Steven Adler, battling drug and alcohol addiction, was fired in July 1990 and replaced by former Cult drummer Matt Sorum.[23] The band fired their manager, Alan Niven, in May 1991, replacing him with Doug Goldstein. According to a 1991 cover story by Rolling Stone magazine, Rose forced the dismissal of Niven, against the wishes of some of his bandmates, by refusing to complete the albums until he was replaced. It is said that the reason for it was an attempt by Niven to pick-up on his then-girlfirend, future wife, and eventual divorcee, Erin Everly, daughter of Don Everly, of the Everly Brothers.
With enough music for two albums, the band released Use Your Illusion I and Use Your Illusion II on September 17, 1991. The tactic paid off when the albums debuted at #2 and #1 respectively on the Billboard chart, setting a record as Guns N' Roses became the only group to date to achieve this feat. The albums spent 108 weeks on the chart.
In the late spring of 1991, before the Illusion albums were released, Guns N' Roses embarked on the 28-month-long Use Your Illusion World Tour. It became famous for both its financial success and the many controversial incidents that occurred at the shows.
During the tour it was alleged, and long accepted, that Rose demanded and received sole ownership of the Guns N' Roses name from bandmates Slash and McKagan. However, this story was recently disputed by Rose, who claimed it would have been legally impossible for him to do such a thing His relationships with his bandmates became increasingly strained: Izzy Stradlin left the group voluntarily on November 7, 1991, and was replaced by former Kill For Thrills guitarist Gilby Clarke for the remainder of the two-year tour. Clarke himself left in 1994, and was replaced by Rose's childhood friend Paul Tobias. When Rose replaced Slash's guitar parts with those of Tobias on the band's cover version of the Rolling Stones' song "Sympathy for the Devil" for the soundtrack of the film Interview with the Vampire, tension increased further. Slash, McKagan and Sorum all left Guns N' Roses at various points between 1996 and 1997, leaving Rose and keyboardist Dizzy Reed as the only remaining Illusion-era members of the band.
While the Guns N' Roses name is owned solely by Rose, the band's back catalog is controlled jointly by Rose, Slash and McKagan. In 2004, the three presented a united front in a joint lawsuit against Universal and Geffen, in which they unsuccessfully attempted to block the release of the Greatest Hits compilation album.
Slash and McKagan have also filed several lawsuits against Rose for matters related to control and administration of the songs in the Guns N' Roses catalog. One of the cases, in which McKagan and Slash stated that they had been denied royalty checks for Guns N' Roses's sales in 2005, was determined to be the result of a clerical error by ASCAP and was resolved.
Hiatus, touring and Chinese Democracy (1995–present)
As the stability of Guns N' Roses collapsed, Rose withdrew from public view. The band never actually broke up, although it did not tour or perform for several years and no new material was released. Rose continued to recruit new musicians to replace the charter members as they gradually defected. The last charter member of the band to go (aside from Rose himself) was Duff McKagan.
By the late 1990s, he was considered to be a recluse, rarely making public appearances and spending most of his time holed up in his mansion in Malibu. In various reports in the press, he was referred to as the "Howard Hughes of rock" and "rock's greatest recluse".Rose was said to spend his nights rehearsing and writing with the various new lineups of Guns N' Roses, working on the band's next album, Chinese Democracy.
In a rare interview with Rolling Stone in 2006, Rose shed more light on his long awaited Chinese Democracy album. "We're working on 32 songs, and 26 are nearly done," he said in the interview. "People will hear music this year," he said. "It's a very complex record, I'm trying to do something different. Some of the arrangements are kind of like Queen. Some people are going to say, 'It doesn't sound like Axl Rose, it doesn't sound like Guns N' Roses.' But you'll like at least a few songs on there."
Rose (center) on the Chinese Democracy Tour in 2006
Guns N' Roses resurfaced with concert tours in 2002 and again in 2006. The band, now consisting of Rose, Dizzy Reed, Robin Finck, Tommy Stinson, Chris Pitman, Richard Fortus, Frank Ferrer and Ron "Bumblefoot" Thal (replacing Buckethead), performed their first live concerts in the United States in over three years on May 12, May 14, May 15, and May 17, 2006 at the Hammerstein Ballroom in New York City. They also performed in Madrid on May 25 and in Lisbon (Rock in Rio) on May 27 to an audience of over 50,000.
On May 6, 2006, Rose appeared on the Eddie Trunk radio show and promised that the album would be released sometime in the fall or late fall 2006.[38]
On April 5, 2006, Rose presented The Killers at the MTV Video Music Awards by coming out onto the stage and screaming his trademark, "Do you know where the fuck you are?!" In an interview backstage, Rose revealed that the official Chinese Democracy tour would begin "around October 24th", and that the album would be out that year.
On December 15, 2006, Rose issued an open letter to Guns N' Roses fans, discussing, among other things, the reasons why Chinese Democracy had not been released yet. In it, Axl stated that he hoped the album would appear in 2007, and named March 6 as a tentative release date.However, the album's release date was pushed back once again.
In 2007, Rose collaborated with longtime friend Sebastian Bach on his solo album Angel Down, doing a duet with Bach on a cover of the Aerosmith song "Back in the Saddle". Rose also performed backing vocals on "(Love is) a Bitchslap" and "Stuck Inside", for which he was credited as a co-writer.
On October 22, 2008, a new release date was officially announced for Chinese Democracy: November 23, 2008 (the Sunday before Thanksgiving Day). The album was exclusively released via Best Buy.
On December 11, 2009, Guns N' Roses kicked off their 2009/2010 Chinese Democracy tour in Taipei, Taiwan.
Controversy
Drug use
After Guns N' Roses became successful, Rose noted that he had stopped using any sort of hard drugs. He did not disavow the use of illicit substances, stating in a 1989 interview "I have a different physical constitution and different mindset about drugs than anybody I've known in Hollywood, because I don't abstain from doing drugs, but I won't allow myself to have a fuckin' habit. I won't allow it".
Although Rose has not been known for alcohol abuse, on June 26, 2006, he was arrested in Stockholm, Sweden, after an early morning altercation in his hotel lobby with hotel security. Rose is alleged to have bitten a security guard's leg and shattered an antique lobby mirror while in a drunken rage. Rose later commented in a press release: "We had a great gig in Stockholm and I am not going to let this incident spoil that. My assistant Beta and I were talking in the lobby of the hotel when security started to give us a hard time. My only concern was to make sure she was okay". After spending the next several hours in a Stockholm drunk tank, Rose pled guilty to all charges and paid roughly $6,000 in fines and was released. The Summer European tour continued as scheduled.
One in a Million (Guns N' Roses song)
In 1988, Guns N' Roses released the EP G N' R Lies. Although the album had strong sales, there was outrage among some members of the public over the lyrics of the song "One in a Million", which included the words "niggers" and "faggots". As Rose was the lyricist of the piece and the song was composed about his personal experiences, he was labeled racist and homophobic, charges he strenuously denied.The lyrics led to Guns N' Roses being removed from the schedule at a 1989 concert benefiting the Gay Men's Health Crisis at Radio City Music Hall in New York City.
Rose claimed that he'd had bad experiences with homosexuals and was "confused" by gay men's sexual preferences. He also pointed out that many of his musical idols, including Elton John and Freddie Mercury, as well as the head of his record company, were gay or bisexual. Following this, in a surprising move, Rose performed "November Rain" with Elton John at the 1992 MTV Video Music Awards. John (along with Bernie Taupin) was a big influence on his musical and lyrical outlook. He also paid tribute to Freddie Mercury, another huge influence, at the 1992 Freddie Mercury Tribute Concert, where he again performed with John, this time singing Queen's "Bohemian Rhapsody". Rose has maintained his friendship with John to the current day and inducted him into the Rock & Roll Hall of Fame.
In addressing the accusations of racism, Rose gave several explanations. In one 1989 interview, he stated that he had used the word to signify "somebody that is basically a pain in your life, a problem. The word nigger doesn't necessarily mean black", and referenced the rap group Niggaz Wit Attitudes (NWA) as using the word in a positive context.[9] Rose was occasionally photographed wearing an NWA hat from then on. By 1992, however, Rose seemed to have gained new perspective on the song and its lyrics. In one interview, he conceded that the word had been used as an insult, but added: "I was pissed off about some black people that were trying to rob me. I wanted to insult those particular black people. I didn't want to support racism".
Rose was consistent in strongly denying accusations that he was racist. He also expressed concern and disapproval at those who used "One in a Million" to promote their own racist views, noting: "There's a lot of people who have chosen to use that song. However that song makes them feel, they think that must be what the song means. If they hate blacks, and they hear my lines and hate blacks even more, I'm sorry, but that's not how I meant it".
[edit]Riots, rants, and legal troubles
Throughout Guns N' Roses' career, Rose has been notorious for personally addressing disruptive fans and giving instructions to security guards from the stage, at times stopping concerts to deal with issues in the crowd. In his 1992 Rolling Stone interview Rose explained, "Most performers would go to a security person in their organization, and it would just be done very quietly. I'll confront the person, stop the song: "Guess what: You wasted your money, you get to leave."He has also been noted for his late appearances at concerts, sometimes taking the stage hours after the opening acts.
In many instances Rose's actions have seemed to be based in concern for the safety of the band and audience members. At the 1988 Monsters of Rock concert at Castle Donington, England during which two fans were crushed, Rose stopped the show several times when asked by security, as the audience rushed the stage. The fans had begun edging forward when the band appeared onstage. The final report into the Donington tragedy noted that Rose had immediately cooperated with venue security when advised of the dangerous crowd conditions, and had attempted to calm the crowd. In a more recent incident, during a concert in 2006 in Birmingham, Rose stopped the show and had a security guard ejected for assaulting a fan in the audience.
In July 1991, during the early stages of the 28-month-long Use Your Illusion Tour, Rose jumped off stage during a concert in St. Louis to take a video camera away from a fan. The concert was aborted as Rose threw his microphone down and stormed off stage saying "Thanks to the lame-ass security, I'm going home!" The other band members followed and the house lights came on, sparking an intense riot that caused significant damage to both the newly-constructed arena and Guns N' Roses' equipment and instruments. Rose was blamed for the melee, and was charged with four counts of misdemeanor assault and one charge of property damage, for which he was arrested in 1992. Guns N' Roses were also banned from St. Louis for life. The case eventually went to trial in late 1992, and resulted in a conviction, two years' probation and a US $50,000 fine for Rose.
Another riot occurred on August 8, 1992 at Montreal's Olympic Stadium, during Guns N' Roses' summer concert co-headlining tour with Metallica. During the performance, Metallica's set was cut short when the band's lead singer, James Hetfield, was burned in a pyrotechnics accident. Guns N' Roses was unable to take the stage early to make up for Metallica's abbreviated performance, as Rose was once again late arriving at the venue. Further compounding the situation, Rose walked off stage and left the stadium after playing nine songs (only about 50 minutes), claiming he had problems with his voice. Before "Double Talkin' Jive", Rose said this will be "our last show for a long time", and at the end of "Civil War", their last song, Rose said "Thank you, your money will be refunded" and walked offstage. A riot ensued, which spilled out into the streets. Authorities were barely able to bring the chaos under control.
On November 7, 2002 at Vancouver's General Motors Place, Rose did not show up for a scheduled show. The crowd became upset resulting in a riot causing thousands of dollars of damage to General Motors Place. Allegations of police brutality would follow the incident.
Problems have also occurred at several of Guns N' Roses's more recent concert events. On June 11, 2006, Guns N' Roses headlined the Download Festival in Donington Park, England. Within the first half hour of the show, Rose had become annoyed with the quality of the sound and had also lost his footing, nearly causing him to fall due to the "slippery stage". After briefly leaving and returning to the set mid song, throwing the microphone on the floor and exiting the stage citing technical difficulties while leaving Bumblefoot to play an instrumental of the song "Don't Cry", he returned to the stage with tennis shoes on (he was previously wearing boots), announced that he had some old friends to bring out, and was joined by Izzy Stradlin to play "Used to Love Her". Stradlin left and returned to the stage multiple times, for "Patience", and the final number "Paradise City". During the night, Rose was also joined by Sebastian Bach and together they sang "My Michelle".
On July 19, 2006, at a show in Newcastle, England, Rose walked off-stage during the performance of "Nightrain" after what was alleged to be a £1 coin was thrown on to the stage directly at him. Rose addressed the crowd off-stage and informed them that any person caught throwing objects at him or any other members of the band must be ejected from the auditorium. The band returned to the stage to finish the song after which Rose declared "The show is over", the band departed and the house lights were resumed. They did not play the usual "Paradise City" encore.
On December 11, 2009, at the Los Angeles International Airport, as he was leaving for Guns N' Roses' tour opener in Taipei, Rose got into a minor scuffle with a photographer. He ended up punching him in the face and then being carried off by his entourage. It started when the photographer got into a minor altercation with a member of Rose's entourage, which angered Rose, leading him to threaten him and attack him. The photographer has stated he will not press charges.
Events surrounding Chinese Democracy
Record executives at Geffen were reported to be furious with Rose for not doing any promotion or publicity for Chinese Democracy. AOL Canada Entertainment reported that, as of December 2, 2008, he had been missing for at least two months and had not returned any phone calls or other requests.
On December 11, 2008, Rose finally broke his silence, answering questions in person on three Guns N' Roses discussion boards and mentioning an upcoming music video for "Better". A far more comprehensive view of Axl Rose's interpretation of the controversy regarding the release of Chinese Democracy was published on February 6, 2009, Rose's 47th birthday, in both Billboard and on Reuters. In the interview, Rose speaks with disdain towards Interscope Records and in particular the chief of Interscope, Jimmy Iovine. He states that he never really received the support from them that he expected. The interview, technical in nature, reveals Rose's substantial knowledge of the inside workings of the music business, and how the rapid transformation of the music industry has worked against Guns N' Roses' release of Chinese Democracy. Axl was coy about the internet legend that two more albums of material are ready to be rolled out, only saying that he is focusing now on Chinese Democracy.
On December 16, 2008 Axl Rose made public an open letter posted on the official Guns N' Roses' website.
Work outside of music
Axl provided the voice of Tommy "The Nightmare" Smith, former lead singer of the fictional 1970s rock band Crystal Ship (a reference to the song by The Doors) and radio DJ of Classic rock radio K-DST, in the game Grand Theft Auto: San Andreas.
In addition, Rose appeared as an uncredited background performer in a funeral scene in Clint Eastwood's 1988 film The Dead Pool, along with the rest of the then-current lineup of Guns N' Roses.
In 2009, it was confirmed that Rose will be producing the film adaptation of the novel Almost Home.
Discography
With Hollywood Rose
Title Release Date Label
The Roots of Guns N' Roses 2004 (Recorded in 1983) Cleopatra
[edit]With Guns N' Roses
Main article: Guns N' Roses discography
Title Release Date Label
Appetite for Destruction 1987 Geffen
G N' R Lies 1988 Geffen
Use Your Illusion I 1991 Geffen
Use Your Illusion II 1991 Geffen
"The Spaghetti Incident?" 1993 Geffen
Live Era: '87–'93 1999 Geffen
Greatest Hits 2004 Geffen
Chinese Democracy 2008 Geffen
Guest appearances
Title Artist Release Date Label
The Decline of Western Civilization Part II: The Metal Years (Soundtrack) Various 1988 Capitol/I.R.S Records
The End of the Innocence Don Henley 1989 Geffen
Fire and Gasoline Steve Jones 1989 Gold Mountain
Not Fakin' It Michael Monroe 1989 Mercury
Pawnshop Guitars Gilby Clarke 1994 Virgin
Actual Miles: Henley's Greatest Hits Don Henley 1995 Geffen
Anxious Disease The Outpatience 1996 Musikitchen
The Life and Crimes of Alice Cooper Alice Cooper 1999 Rhino
Angel Down Sebastian Bach 2007 EMI
Personal life
]Feuds
Relationships
Throughout the mid eighties and into the early nineties, Rose was involved in a turbulent relationship with Erin Everly, the daughter of singer Don Everly. Rose wrote the lyrics of "Sweet Child o' Mine" about her, and she appeared in the video for the song. Rose and Everly were wed on April 28, 1990 in Las Vegas,[63] albeit under duress: according to Everly, Rose showed up at her home, told her he had a gun in his car, and that he would kill himself if she did not marry him. Rose wanted one of his heroes, Dan McCafferty frontman of Nazareth, to perform at his wedding. McCafferty commenting in 2004 said "I laughed when Axl asked me to sing "Love Hurts" at his wedding, because the song seemed to last for longer than the marriage! Around 18 people from their management kept phoning me to ask – 18 people! – but I eventually told them I was busy, which I probably was."
The couple separated after less than a month of marriage, but later reconciled for several months, during which time Everly became pregnant. She suffered a miscarriage in October 1990. This deeply affected Rose, who had wanted to have children of his own. The day after Everly's miscarriage, Rose was arrested after allegedly assaulting a neighbor with a wine bottle after the neighbor threatened to call the police because of Rose's loud music. The marriage between Everly and Rose was annulled in January 1991. Rose has never re-married and has no children.
After the breakup, Rose allegedly continued to try to contact Everly for more than a year, sending her flowers, letters, and even caged birds. In 1994, Everly filed a civil lawsuit against Rose, alleging various incidents of physical and emotional domestic violence had occurred before and during the marriage; the suit was eventually settled out of court.
By mid 1991, Rose had become involved with model Stephanie Seymour. While they were together, Seymour appeared in two Guns N' Roses videos, "November Rain" and "Don't Cry". Rose became deeply attached to Seymour's son, Dylan, and tried to be a good father figure for the child, as there had been none in his own life. Seymour and Rose parted ways in early 1993, Rose and Seymour then filed lawsuits against each other, each claiming that the other was physically abusive. In support of her case, Seymour subpoenaed Erin Everly, Rose's ex-wife, so Everly would testify that she was also abused by Rose. The lawsuits were settled out of court.
Source:wikipedia
Saturday, May 15
Parthenon
The Parthenon (Ancient Greek: Παρθενών) is a temple of the Greek goddess Athena, whom the people of Athens considered their protector. Its construction began in 447 BC and was completed in 438 BC on the Athenian Acropolis, although decorations of the Parthenon continued until 431 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.
The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman Turk conquest, it was turned into a mosque in the early 1460s, and it had a minaret built in it. On 26 September 1687, an Ottoman Turk ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion severely damaged the Parthenon and its sculptures. In 1806, Thomas Bruce, 7th Earl of Elgin removed some of the surviving sculptures, with Ottoman Turk's permission. These sculptures, now known as the Elgin Marbles or the Parthenon Marbles, were sold in 1816 to the British Museum in London, where they are now displayed. The Greek government is committed to the return of the sculptures to Greece, so far with no success.
Design and construction
Floor plan of the Parthenon
The first endeavor to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490-488 BC) upon a muscular limestone foundation that extended and leveled the southern part of the Acropolis summit. This building replaced a hekatompedon (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to the Athena Polias. The Older or Pre-Parthenon, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis.
In the mid-5th century BC, when the Athenian Acropolis became the seat of the Delian League and Athens was the greatest cultural centre of its time, Pericles initiated an ambitious building project that lasted the entire second half of the century. The most important buildings visible on the Acropolis today—the Parthenon, the Propylaia, the Erechtheion and the temple of Athena Nike—were erected during this period. The Parthenon was built under the general supervision of the sculptor Phidias, who also had charge of the sculptural decoration. The architects, Iktinos and Kallikrates, began in 447 BC, and the building was substantially completed by 432, but work on the decorations continued until at least 431. Some of the financial accounts for the Parthenon survive and show that the largest single expense was transporting the stone from Mount Pentelicus, about 16 kilometres from Athens, to the Acropolis. The funds were partly drawn from the treasury of the Delian League, which was moved from the Panhellenic sanctuary at Delos to the Acropolis in 454 BC.
Although the nearby Temple of Hephaestus is the most complete surviving example of a Doric order temple, the Parthenon, in its day, was regarded as the finest. The temple, wrote John Julius Cooper, "Enjoys the reputation of being the most perfect Doric temple ever built. Even in antiquity, its architectural refinements were legendary, especially the subtle correspondence between the curvature of the stylobate, the taper of the naos walls and the entasis of the columns."Entasis refers to the slight bulge of the columns as they rise, though the observable effect on the Parthenon is considerably more subtle than on earlier temples with their noticeably cigar-shaped columns. The stylobate is the platform on which the columns stand. As in many other classical Greek temples, it has a slight parabolic upward curvature intended primarily to shed rainwater. The columns might therefore be supposed to lean outwards, but they actually lean slightly inwards; since they are all the same height, the curvature of the outer stylobate edge is transmitted to the architrave and roof above: "All follow the rule of being built to delicate curves," Gorham Stevens observed when pointing out that, in addition, the west front was built at a slightly higher level than that of the east front. It is not universally agreed what the intended effect of these "optical refinements" was; it may serve as a sort of "reverse optical illusion". As the Greeks may have been aware, two parallel lines appear to bow, or curve outward, when intersected by converging lines. In this case, the ceiling and floor of the temple may seem to bow in the presence of the surrounding angles of the building. Striving for perfection, the designers may have added these curves, compensating for the illusion by creating their own curves, thus negating this effect and allowing the temple to be seen as they intended. It is also suggested that it was to enliven what might have appeared an inert mass in the case of a building without curves, but the comparison ought to be with the Parthenon's more obviously curved predecessors than with a notional rectilinear temple.
Some studies of the Acropolis, including the Parthenon, conclude that many of its proportions approximate the golden ratio. The Parthenon's facade as well as elements of its facade and elsewhere can be circumscribed by golden rectangles. This view that the golden ratio was employed in the design has been disputed in more recent studies.
Measured at the stylobate, the dimensions of the base of the Parthenon are 69.5 metres by 30.9 metres (228.0 x 101.4 ft). The cella was 29.8 metres long by 19.2 metres wide (97.8 x 63.0 ft), with internal colonnades in two tiers, structurally necessary to support the roof. On the exterior, the Doric columns measure 1.9 metres (6.2 ft) in diameter and are 10.4 metres (34.1 ft) high. The corner columns are slightly larger in diameter. The Parthenon had 46 outer pillars and 19 inner pillars in total. The stylobate has an upward curvature towards its centre of 60 millimetres (2.36 in) on the east and west ends, and of 110 millimetres (4.33 in) on the sides. The roof was covered with large overlapping marble tiles known as imbrices and tegulae.
Sculptural decoration
The Parthenon from the south. In the foreground of the image, a reconstruction of the marble imbrices and tegulae (roof tiles) forming the roof is visible, resting on wooden supports.
The Parthenon, an octostyle, peripteral Doric temple with Ionic architectural features, housed the chryselephantine statue of Athena Parthenos sculpted by Phidias and dedicated in 439 or 438 BC. The decorative stonework was originally highly coloured. The temple was dedicated to Athena at that time, though construction continued until almost the beginning of the Peloponnesian War in 432. By the year 438, the sculptural decoration of the Doric metopes on the frieze above the exterior colonnade, and of the Ionic frieze around the upper portion of the walls of the cella, had been completed. The richness of the Parthenon's frieze and metope decoration is in agreement with the function of the temple as a treasury. In the opisthodomus (the back room of the cella) were stored the monetary contributions of the Delian League, of which Athens was the leading member.
Metopes of the Parthenon
Detail of the West metopes, illustrating the current condition of the temple in detail after 2,500 years of war, pollution, erratic conservation, pillage and vandalism
The seventy-two metopes were carved in high relief, a practice employed until then only in treasuries (buildings used to keep votive gifts to the gods). According to the building records, the metope sculptures date to the years 446-440 BC. Their design is attributed to the sculptor Kalamis. The metopes of the east side of the Parthenon, above the main entrance, depict the Gigantomachy (mythical battles between the Olympian gods and the Giants). The metopes of the west end show Amazonomachy (mythical battle of the Athenians against the Amazons). The metopes of the south side—with the exception of the somewhat problematic metopes 13–20, now lost—show the Thessalian Centauromachy (battle of the Lapiths aided by Theseus against the half-man, half-horse Centaurs). On the north side of the Parthenon, the metopes are poorly preserved, but the subject seems to be the sack of Troy.
The metopes present surviving traces of the Severe Style in the anatomy of the figures' heads, in the limitation of the corporal movements to the contours and not to the muscles, and in the presence of pronounced veins in the figures of the Centauromachy. Several of the metopes still remain on the building, but, with the exception of those on the northern side, they are severely damaged. Some of them are located at the Acropolis Museum, others are in the British Museum, and one can be seen at the Louvre museum.
The smaller room (the opisthodomos) was used as treasury. The Parthenon was made out of Doric columns.
Frieze
Phidias Showing the Frieze of the Parthenon to his Friends, 1868 painting by Lawrence Alma-Tadema
The most characteristic feature in the architecture and decoration of the temple is the Ionic frieze running around the exterior walls of the cella. The bas-relief frieze was carved in situ; it is dated in 442 BC-438 BC.
One interpretation is that it depicts an idealized version of the Panathenaic procession from the Dipylon Gate in the Kerameikos to the Acropolis. In this procession held every year, with a special procession taking place every four years, Athenians and foreigners were participating to honour the goddess Athena, offering sacrifices and a new peplos (dress woven by selected noble Athenian girls called ergastines).
Joan Breton Connelly has recently argued for another interpretation of the frieze, in which she attempts to prove that the iconography of the frieze is based on Greek mythology. This interpretation postulates that the scenes depict the sacrifice of Pandora, youngest daughter of Erechtheus, to Athena. This human sacrifice was demanded by Athena to save the city from Eumolpus, king of Eleusis, who had gathered an army to attack Athens.
Pediments
The 2nd-century traveller Pausanias, when he visited the Acropolis at the end of the second century AD, only mentioned briefly the sculptures of the pediments (gable ends) of the temple, reserving the majority of his description for the gold and ivory statue of the goddess inside.
East pediment
Part of the east pediment still found on the Parthenon
The east pediment narrates the birth of Athena from the head of her father, Zeus. According to Greek mythology, Zeus gave birth to Athena after a terrible headache prompted him to summon Hephaestus' (the god of fire and the forge) assistance. To alleviate the pain, he ordered Hephaestus to strike him with his forging hammer, and when he did, Zeus's head split open and out popped the goddess Athena in full armour. The sculptural arrangement depicts the moment of Athena's birth.
Unfortunately, the center pieces of the pediment were destroyed even before Jacques Carrey created otherwise useful documentary drawings in 1674, so all reconstructions are subject to conjecture and speculation. The main Olympian gods must have stood around Zeus and Athena watching the wondrous event, with Hephaestus and Hera probably near them. The Carrey drawings are instrumental in reconstructing the sculptural arrangement beyond the center figures to the north and south.
West pediment
The west pediment faced the Propylaia and depicted the contest between Athena and Poseidon during their competition for the honor of becoming the city's patron. Athena and Poseidon appear at the center of the composition, diverging from one another in strong diagonal forms, with the goddess holding the olive tree and the god of the sea raising his trident to strike the earth. At their flanks, they are framed by two active groups of horses pulling chariots, while a crowd of legendary personalities from Athenian mythology fills the space out to the acute corners of the pediment.
The work on the pediments lasted from 438 to 432 BC, and the sculptures of the Parthenon pediments are some of the finest examples of classical Greek art. The figures are sculpted in natural movement with bodies full of vital energy that bursts through their flesh, as the flesh in turn bursts through their thin clothing. The thin chitons allow the body underneath to be revealed as the focus of the composition. The distinction between gods and humans is blurred in the conceptual interplay between the idealism and naturalism bestowed on the stone by the sculptors. The pediments no longer exist.
Athena Parthenos
The only piece of sculpture from the Parthenon known to be from the hand of Phidias was the statue of Athena housed in the naos. This massive chryselephantine sculpture is now lost and known only from copies, vase painting, gems, literary descriptions and coins.
Older Parthenon
The first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490-88 BC). This building replaced a hekatompedon (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to Athena Polias. The “older Parthenon”, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis. The existence of the proto-Parthenon and its destruction were known from Herodotus,[27] and the drums of its columns were plainly visible built into the curtain wall north of the Erechtheum. Further material evidence of this structure was revealed with the excavations of Patagiotis Kavvadias of 1885-90. The findings of this dig allowed Wilhelm Dörpfeld, then director of the German Archaeological Institute, to assert that there existed a distinct substructure to the original Parthenon, called Parthenon I by Dörpfeld, not immediately below the present edifice as had been previously assumed.[28] Dörpfeld's observation was that the three steps of the first Parthenon consisted of two steps of Poros limestone, the same as the foundations, and a top step of Karrha limestone that was covered by the lowest step of the Periclean Parthenon. This platform was smaller and slightly to the north of the final Parthenon, indicating that it was built for a wholly different building, now wholly covered over. This picture was somewhat complicated by the publication of the final report on the 1885-90 excavations, indicating that the substructure was contemporary with the Kimonian walls, and implying a later date for the first temple.
If the original Parthenon was indeed destroyed in 480, it invites the question of why the site was left a ruin for thirty-three years. One argument involves the oath sworn by the Greek allies before the Battle of Plataea in 479 BC[30] declaring that the sanctuaries destroyed by the Persians would not be rebuilt, an oath from which the Athenians were only absolved with the Peace of Callias in 450. The mundane fact of the cost of reconstructing Athens after the Persian sack is at least as likely a cause. However, the excavations of Bert Hodge Hill led him to propose the existence of a second Parthenon, begun in the period of Kimon after 468 BC. Hill claimed that the Karrha limestone step Dörpfeld took to be the highest of Parthenon I was in fact the lowest of the three steps of Parthenon II, whose stylobate dimensions Hill calculated to be 23.51 by 66.888 metres (77.13 ft × 219.45 ft).
One difficulty in dating the proto-Parthenon is that at the time of the 1885 excavation the archaeological method of seriation was not fully developed; the careless digging and refilling of the site led to a loss of much valuable information. An attempt to make sense of the potsherds found on the acropolis came with the two-volume study by Graef and Langlotz published 1925-33. This inspired American archaeologist William Bell Dinsmoor to attempt to supply limiting dates for the temple platform and the five walls hidden under the re-terracing of the Acropolis. Dinsmoor concluded that the latest possible date for Parthenon I was no earlier 495 BC, contradicting the early date given by Dörpfeld. Further Dinsmoor denied that there were two proto-Parthenons, and that the only pre-Periclean temple was what Dörpfeld referred to as Parthenon II. Dinsmoor and Dörpfeld exchanged views in the American Journal of Archaeology in 1935.
Function
Although the Parthenon is architecturally a temple and is usually called so, it is not really one in the conventional sense of the word.[36] A small shrine has been excavated within the building, on the site of an older sanctuary probably dedicated to Athena Ergane,[36] but the Parthenon never hosted the cult of Athena Polias, protector of Athens: the cult image which was bathed in the sea and to which was presented the peplos, was an olivewood xoanon, located at an older altar on the northern side of the Acropolis. Thus the Parthenon was essentially a treasury as well.
The colossal statue of Athena by Phidias was not related to any cult and never inspired any recorded religious fervour. It did not seem to have any priestess, altar nor cult name. According to Thucydides, Pericles once referred to the statue as a gold reserve, stressing that it "contained forty talents of pure gold and it was all removable". The Athenian statesman thus implies that the metal, obtained from contemporary coinage, could be used again without any impiety.
The Parthenon should then be viewed as a grand setting for the votive statue of Phidias rather than a cult site. It also served as a treasury: the funds of the Delian League, transferred from Delos to Athens in 454 BC, were housed in one of its rooms.
Later history
Christian church
The Parthenon survived as a temple to Athena for close to a thousand years. It was certainly still intact in the 4th century AD, by which time it was already as old as Notre Dame Cathedral in Paris is now, and far older than St. Peter's Basilica in Rome. But by that time Athens had been reduced to a provincial city of the Roman Empire, albeit one with a glorious past. Sometime in the 5th century AD, the great cult image of Athena was looted by one of the Emperors, and taken to Constantinople, where it was later destroyed, possibly during the siege of Constantinople during the Fourth Crusade in 1204 AD.
The Parthenon's position on the Acropolis allows it to dominate the city skyline of Athens.
Shortly after this, the Parthenon was converted to a Christian church. In Byzantine times it became the Church of the Parthenos Maria (Virgin Mary), or the Church of the Theotokos (Mother of God). It was the fourth most important pilgrimage in the Eastern Roman Empire after Constantinople, Ephessos and Thessalonica. In 1018, the emperor Basil II went on a pilgrimage to Athens directly after his final victory over the Bulgarians for the sole purpose of worshipping at the Parthenon. In medieval Greek accounts it called the Temple of Theotokos Atheniotissa and often indirectly referred to, as famous without explaining which temple they were referring to precisely, thus establishing that it was indeed well known.
At the time of the Latin occupation it became for about 250 years a Roman Catholic Church of Our Lady. The conversion of the temple to a church involved removing the internal columns and some of the walls of the cella, and the creation of an apse at the eastern end. This inevitably led to the removal and dispersal of some of the sculptures. Those depicting gods were either possibly re-interpreted according to a Christian theme, or removed and destroyed.
Ottoman mosque
In 1456, Athens fell to the Ottomans, and the Parthenon was converted again, into a mosque. The Ottomans were respectful of ancient monuments in their territories and did not willfully destroy the antiquities of Athens, but at the same time made no special effort to protect them. In times of war they were willing to demolish them to provide materials for walls and fortifications. A minaret was added to the Parthenon, and its base and stairway are still functional, leading up as high as the architrave and hence invisible from the outside. Otherwise, the Ottomans did not further modify the building. European visitors in the 17th century, as well as some representations of the Acropolis hill, testified that the building was largely intact.
Destruction
The southern side of the Parthenon, which sustained considerable damage in the 1687 explosion
Fragment of an exploded shell found on top of a wall in the Parthenon, thought to originate from the time of the Venetian siege
In 1687, the Parthenon suffered its greatest blow when the Venetians under Francesco Morosini attacked Athens, and the Ottoman Turks fortified the Acropolis and used the building as a gunpowder magazine. On 26 September a Venetian mortar, fired from the Hill of Philopappus, blew the magazine up and the building was partly destroyed. Morosini then proceeded to attempt to loot sculptures from the ruin. The internal structures were demolished, whatever was left of the roof collapsed, and some of the pillars, particularly on the southern side, were decapitated. The sculptures suffered heavily. Many fell to the ground, and souvenirs were later made from their pieces. Consequently some sections of the sculptural decoration are known only from the drawings made by Flemish artist Jacques Carrey in 1674. After this, much of the building fell into disuse and a smaller mosque was erected.
The 18th century was a period of Ottoman Turk stagnation; as a result, many more Europeans found access to Athens, and the picturesque ruins of the Parthenon were much drawn and painted, spurring a rise in philhellenism and helping to arouse sympathy in Britain and France for Greek independence. Amongst those early travellers and archaeologists were James Stuart and Nicholas Revett, who were commissioned by the Society of Dilettanti to survey the ruins of classical Athens. What they produced was the first measured drawings of the Parthenon published in 1787 in the second volume of Antiquities of Athens Measured and Delineated. In 1801, the British Ambassador at Constantinople, the Earl of Elgin, obtained a firman (edict) from the Sultan to make casts and drawings of the antiquities on the Acropolis, to demolish recent buildings if this was necessary to view the antiquities, and to remove sculptures from them. Although the existence of the firman is doubtful, as the original document has not been rescued, he took this as permission to collect all the sculptures he could find. He employed local people to detach them from the building itself; a few others he collected from the ground, and some smaller pieces he bought from local people. The detachment of the sculptures caused further irreparable damage to what was left of the building, as some of the frieze blocks were sawn in half to lessen their weight for shipment to England.
Independent Greece
When independent Greece gained control of Athens in 1832, the visible section of the minaret was demolished from the Parthenon, and soon all the medieval and Ottoman buildings on the Acropolis were destroyed. However the image of the small mosque within the Parthenon's cella has been preserved in Joly de Lotbinière's photograph, published in Lerebours's Excursions Daguerriennes in 1842: the first photograph of the Acropolis.The area became a historical precinct controlled by the Greek government. Today it attracts millions of tourists every year, who travel up the path at the western end of the Acropolis, through the restored Propylaea, and up the Panathenaic Way to the Parthenon, which is surrounded by a low fence to prevent damage.
Dispute over the marbles
Life-size pediment sculptures from the Parthenon in the British Museum
Today, the Parthenon Marbles which were removed by the Earl of Elgin are in the British Museum. Other sculptures from the Parthenon are now in the Louvre in Paris, in Copenhagen, and elsewhere, but most of the remainder are in Athens in the new Acropolis Museum, that was opened officially on Saturday, June 20, 2009. A few can still be seen on the building itself. The Greek government has been campaigning since 1983 for the British Museum sculptures to be returned to Greece. The British Museum has steadfastly refused to return the sculptures,and successive British governments have been unwilling to force the Museum to do so (which would require legislation). Nevertheless, talks between senior representatives from Greek and British cultural ministries, and their legal advisors took place in London on 4 May 2007. These were the first serious negotiations for several years, and there are hopes that the two sides may move a step closer to a resolution.
A reconstructed segment of the Parthenon.
In 1975, the Greek government began a concerted effort to restore the Parthenon and other Acropolis structures. After some delay a Committee for the Conservation of the Acropolis Monuments was established in 1983. The project later attracted funding and technical assistance from the European Union. An archaeological committee thoroughly documented every artifact remaining on the site, and architects assisted with computer models to determine their original locations. Particularly important and fragile sculptures were transferred to the Acropolis Museum. A crane was installed for moving marble blocks; the crane was designed to fold away beneath the roofline when not in use. In some cases, prior re-construction was found to be incorrect. These were dismantled, and a careful process of restoration began.Originally, various blocks were held together by elongated iron H pins that were completely coated in lead, which protected the iron from corrosion. Stabilizing pins added in the 19th century were not so coated, and corroded. Since the corrosion product (rust) is expansive, the expansion caused further damage by cracking the marble. All new metalwork uses titanium, a strong, light, and corrosion resistant material.
The Parthenon will not be restored to a pre-1687 state, but the explosion damage will be mitigated as much as possible, both in the interest of restoring the structural integrity of the edifice (important in this earthquake-prone region) and to restore the aesthetic integrity by filling in chipped sections of column drums and lintels, using precisely sculpted marble cemented in place. New Pentelic marble is being used from the original quarry. Ultimately, almost all major pieces of marble will be placed in the structure where they originally would have been, supported as needed by modern materials.
Source:wikipedia
The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman Turk conquest, it was turned into a mosque in the early 1460s, and it had a minaret built in it. On 26 September 1687, an Ottoman Turk ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion severely damaged the Parthenon and its sculptures. In 1806, Thomas Bruce, 7th Earl of Elgin removed some of the surviving sculptures, with Ottoman Turk's permission. These sculptures, now known as the Elgin Marbles or the Parthenon Marbles, were sold in 1816 to the British Museum in London, where they are now displayed. The Greek government is committed to the return of the sculptures to Greece, so far with no success.
Design and construction
Floor plan of the Parthenon
The first endeavor to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490-488 BC) upon a muscular limestone foundation that extended and leveled the southern part of the Acropolis summit. This building replaced a hekatompedon (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to the Athena Polias. The Older or Pre-Parthenon, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis.
In the mid-5th century BC, when the Athenian Acropolis became the seat of the Delian League and Athens was the greatest cultural centre of its time, Pericles initiated an ambitious building project that lasted the entire second half of the century. The most important buildings visible on the Acropolis today—the Parthenon, the Propylaia, the Erechtheion and the temple of Athena Nike—were erected during this period. The Parthenon was built under the general supervision of the sculptor Phidias, who also had charge of the sculptural decoration. The architects, Iktinos and Kallikrates, began in 447 BC, and the building was substantially completed by 432, but work on the decorations continued until at least 431. Some of the financial accounts for the Parthenon survive and show that the largest single expense was transporting the stone from Mount Pentelicus, about 16 kilometres from Athens, to the Acropolis. The funds were partly drawn from the treasury of the Delian League, which was moved from the Panhellenic sanctuary at Delos to the Acropolis in 454 BC.
Although the nearby Temple of Hephaestus is the most complete surviving example of a Doric order temple, the Parthenon, in its day, was regarded as the finest. The temple, wrote John Julius Cooper, "Enjoys the reputation of being the most perfect Doric temple ever built. Even in antiquity, its architectural refinements were legendary, especially the subtle correspondence between the curvature of the stylobate, the taper of the naos walls and the entasis of the columns."Entasis refers to the slight bulge of the columns as they rise, though the observable effect on the Parthenon is considerably more subtle than on earlier temples with their noticeably cigar-shaped columns. The stylobate is the platform on which the columns stand. As in many other classical Greek temples, it has a slight parabolic upward curvature intended primarily to shed rainwater. The columns might therefore be supposed to lean outwards, but they actually lean slightly inwards; since they are all the same height, the curvature of the outer stylobate edge is transmitted to the architrave and roof above: "All follow the rule of being built to delicate curves," Gorham Stevens observed when pointing out that, in addition, the west front was built at a slightly higher level than that of the east front. It is not universally agreed what the intended effect of these "optical refinements" was; it may serve as a sort of "reverse optical illusion". As the Greeks may have been aware, two parallel lines appear to bow, or curve outward, when intersected by converging lines. In this case, the ceiling and floor of the temple may seem to bow in the presence of the surrounding angles of the building. Striving for perfection, the designers may have added these curves, compensating for the illusion by creating their own curves, thus negating this effect and allowing the temple to be seen as they intended. It is also suggested that it was to enliven what might have appeared an inert mass in the case of a building without curves, but the comparison ought to be with the Parthenon's more obviously curved predecessors than with a notional rectilinear temple.
Some studies of the Acropolis, including the Parthenon, conclude that many of its proportions approximate the golden ratio. The Parthenon's facade as well as elements of its facade and elsewhere can be circumscribed by golden rectangles. This view that the golden ratio was employed in the design has been disputed in more recent studies.
Measured at the stylobate, the dimensions of the base of the Parthenon are 69.5 metres by 30.9 metres (228.0 x 101.4 ft). The cella was 29.8 metres long by 19.2 metres wide (97.8 x 63.0 ft), with internal colonnades in two tiers, structurally necessary to support the roof. On the exterior, the Doric columns measure 1.9 metres (6.2 ft) in diameter and are 10.4 metres (34.1 ft) high. The corner columns are slightly larger in diameter. The Parthenon had 46 outer pillars and 19 inner pillars in total. The stylobate has an upward curvature towards its centre of 60 millimetres (2.36 in) on the east and west ends, and of 110 millimetres (4.33 in) on the sides. The roof was covered with large overlapping marble tiles known as imbrices and tegulae.
Sculptural decoration
The Parthenon from the south. In the foreground of the image, a reconstruction of the marble imbrices and tegulae (roof tiles) forming the roof is visible, resting on wooden supports.
The Parthenon, an octostyle, peripteral Doric temple with Ionic architectural features, housed the chryselephantine statue of Athena Parthenos sculpted by Phidias and dedicated in 439 or 438 BC. The decorative stonework was originally highly coloured. The temple was dedicated to Athena at that time, though construction continued until almost the beginning of the Peloponnesian War in 432. By the year 438, the sculptural decoration of the Doric metopes on the frieze above the exterior colonnade, and of the Ionic frieze around the upper portion of the walls of the cella, had been completed. The richness of the Parthenon's frieze and metope decoration is in agreement with the function of the temple as a treasury. In the opisthodomus (the back room of the cella) were stored the monetary contributions of the Delian League, of which Athens was the leading member.
Metopes of the Parthenon
Detail of the West metopes, illustrating the current condition of the temple in detail after 2,500 years of war, pollution, erratic conservation, pillage and vandalism
The seventy-two metopes were carved in high relief, a practice employed until then only in treasuries (buildings used to keep votive gifts to the gods). According to the building records, the metope sculptures date to the years 446-440 BC. Their design is attributed to the sculptor Kalamis. The metopes of the east side of the Parthenon, above the main entrance, depict the Gigantomachy (mythical battles between the Olympian gods and the Giants). The metopes of the west end show Amazonomachy (mythical battle of the Athenians against the Amazons). The metopes of the south side—with the exception of the somewhat problematic metopes 13–20, now lost—show the Thessalian Centauromachy (battle of the Lapiths aided by Theseus against the half-man, half-horse Centaurs). On the north side of the Parthenon, the metopes are poorly preserved, but the subject seems to be the sack of Troy.
The metopes present surviving traces of the Severe Style in the anatomy of the figures' heads, in the limitation of the corporal movements to the contours and not to the muscles, and in the presence of pronounced veins in the figures of the Centauromachy. Several of the metopes still remain on the building, but, with the exception of those on the northern side, they are severely damaged. Some of them are located at the Acropolis Museum, others are in the British Museum, and one can be seen at the Louvre museum.
The smaller room (the opisthodomos) was used as treasury. The Parthenon was made out of Doric columns.
Frieze
Phidias Showing the Frieze of the Parthenon to his Friends, 1868 painting by Lawrence Alma-Tadema
The most characteristic feature in the architecture and decoration of the temple is the Ionic frieze running around the exterior walls of the cella. The bas-relief frieze was carved in situ; it is dated in 442 BC-438 BC.
One interpretation is that it depicts an idealized version of the Panathenaic procession from the Dipylon Gate in the Kerameikos to the Acropolis. In this procession held every year, with a special procession taking place every four years, Athenians and foreigners were participating to honour the goddess Athena, offering sacrifices and a new peplos (dress woven by selected noble Athenian girls called ergastines).
Joan Breton Connelly has recently argued for another interpretation of the frieze, in which she attempts to prove that the iconography of the frieze is based on Greek mythology. This interpretation postulates that the scenes depict the sacrifice of Pandora, youngest daughter of Erechtheus, to Athena. This human sacrifice was demanded by Athena to save the city from Eumolpus, king of Eleusis, who had gathered an army to attack Athens.
Pediments
The 2nd-century traveller Pausanias, when he visited the Acropolis at the end of the second century AD, only mentioned briefly the sculptures of the pediments (gable ends) of the temple, reserving the majority of his description for the gold and ivory statue of the goddess inside.
East pediment
Part of the east pediment still found on the Parthenon
The east pediment narrates the birth of Athena from the head of her father, Zeus. According to Greek mythology, Zeus gave birth to Athena after a terrible headache prompted him to summon Hephaestus' (the god of fire and the forge) assistance. To alleviate the pain, he ordered Hephaestus to strike him with his forging hammer, and when he did, Zeus's head split open and out popped the goddess Athena in full armour. The sculptural arrangement depicts the moment of Athena's birth.
Unfortunately, the center pieces of the pediment were destroyed even before Jacques Carrey created otherwise useful documentary drawings in 1674, so all reconstructions are subject to conjecture and speculation. The main Olympian gods must have stood around Zeus and Athena watching the wondrous event, with Hephaestus and Hera probably near them. The Carrey drawings are instrumental in reconstructing the sculptural arrangement beyond the center figures to the north and south.
West pediment
The west pediment faced the Propylaia and depicted the contest between Athena and Poseidon during their competition for the honor of becoming the city's patron. Athena and Poseidon appear at the center of the composition, diverging from one another in strong diagonal forms, with the goddess holding the olive tree and the god of the sea raising his trident to strike the earth. At their flanks, they are framed by two active groups of horses pulling chariots, while a crowd of legendary personalities from Athenian mythology fills the space out to the acute corners of the pediment.
The work on the pediments lasted from 438 to 432 BC, and the sculptures of the Parthenon pediments are some of the finest examples of classical Greek art. The figures are sculpted in natural movement with bodies full of vital energy that bursts through their flesh, as the flesh in turn bursts through their thin clothing. The thin chitons allow the body underneath to be revealed as the focus of the composition. The distinction between gods and humans is blurred in the conceptual interplay between the idealism and naturalism bestowed on the stone by the sculptors. The pediments no longer exist.
Athena Parthenos
The only piece of sculpture from the Parthenon known to be from the hand of Phidias was the statue of Athena housed in the naos. This massive chryselephantine sculpture is now lost and known only from copies, vase painting, gems, literary descriptions and coins.
Older Parthenon
The first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490-88 BC). This building replaced a hekatompedon (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to Athena Polias. The “older Parthenon”, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis. The existence of the proto-Parthenon and its destruction were known from Herodotus,[27] and the drums of its columns were plainly visible built into the curtain wall north of the Erechtheum. Further material evidence of this structure was revealed with the excavations of Patagiotis Kavvadias of 1885-90. The findings of this dig allowed Wilhelm Dörpfeld, then director of the German Archaeological Institute, to assert that there existed a distinct substructure to the original Parthenon, called Parthenon I by Dörpfeld, not immediately below the present edifice as had been previously assumed.[28] Dörpfeld's observation was that the three steps of the first Parthenon consisted of two steps of Poros limestone, the same as the foundations, and a top step of Karrha limestone that was covered by the lowest step of the Periclean Parthenon. This platform was smaller and slightly to the north of the final Parthenon, indicating that it was built for a wholly different building, now wholly covered over. This picture was somewhat complicated by the publication of the final report on the 1885-90 excavations, indicating that the substructure was contemporary with the Kimonian walls, and implying a later date for the first temple.
If the original Parthenon was indeed destroyed in 480, it invites the question of why the site was left a ruin for thirty-three years. One argument involves the oath sworn by the Greek allies before the Battle of Plataea in 479 BC[30] declaring that the sanctuaries destroyed by the Persians would not be rebuilt, an oath from which the Athenians were only absolved with the Peace of Callias in 450. The mundane fact of the cost of reconstructing Athens after the Persian sack is at least as likely a cause. However, the excavations of Bert Hodge Hill led him to propose the existence of a second Parthenon, begun in the period of Kimon after 468 BC. Hill claimed that the Karrha limestone step Dörpfeld took to be the highest of Parthenon I was in fact the lowest of the three steps of Parthenon II, whose stylobate dimensions Hill calculated to be 23.51 by 66.888 metres (77.13 ft × 219.45 ft).
One difficulty in dating the proto-Parthenon is that at the time of the 1885 excavation the archaeological method of seriation was not fully developed; the careless digging and refilling of the site led to a loss of much valuable information. An attempt to make sense of the potsherds found on the acropolis came with the two-volume study by Graef and Langlotz published 1925-33. This inspired American archaeologist William Bell Dinsmoor to attempt to supply limiting dates for the temple platform and the five walls hidden under the re-terracing of the Acropolis. Dinsmoor concluded that the latest possible date for Parthenon I was no earlier 495 BC, contradicting the early date given by Dörpfeld. Further Dinsmoor denied that there were two proto-Parthenons, and that the only pre-Periclean temple was what Dörpfeld referred to as Parthenon II. Dinsmoor and Dörpfeld exchanged views in the American Journal of Archaeology in 1935.
Function
Although the Parthenon is architecturally a temple and is usually called so, it is not really one in the conventional sense of the word.[36] A small shrine has been excavated within the building, on the site of an older sanctuary probably dedicated to Athena Ergane,[36] but the Parthenon never hosted the cult of Athena Polias, protector of Athens: the cult image which was bathed in the sea and to which was presented the peplos, was an olivewood xoanon, located at an older altar on the northern side of the Acropolis. Thus the Parthenon was essentially a treasury as well.
The colossal statue of Athena by Phidias was not related to any cult and never inspired any recorded religious fervour. It did not seem to have any priestess, altar nor cult name. According to Thucydides, Pericles once referred to the statue as a gold reserve, stressing that it "contained forty talents of pure gold and it was all removable". The Athenian statesman thus implies that the metal, obtained from contemporary coinage, could be used again without any impiety.
The Parthenon should then be viewed as a grand setting for the votive statue of Phidias rather than a cult site. It also served as a treasury: the funds of the Delian League, transferred from Delos to Athens in 454 BC, were housed in one of its rooms.
Later history
Christian church
The Parthenon survived as a temple to Athena for close to a thousand years. It was certainly still intact in the 4th century AD, by which time it was already as old as Notre Dame Cathedral in Paris is now, and far older than St. Peter's Basilica in Rome. But by that time Athens had been reduced to a provincial city of the Roman Empire, albeit one with a glorious past. Sometime in the 5th century AD, the great cult image of Athena was looted by one of the Emperors, and taken to Constantinople, where it was later destroyed, possibly during the siege of Constantinople during the Fourth Crusade in 1204 AD.
The Parthenon's position on the Acropolis allows it to dominate the city skyline of Athens.
Shortly after this, the Parthenon was converted to a Christian church. In Byzantine times it became the Church of the Parthenos Maria (Virgin Mary), or the Church of the Theotokos (Mother of God). It was the fourth most important pilgrimage in the Eastern Roman Empire after Constantinople, Ephessos and Thessalonica. In 1018, the emperor Basil II went on a pilgrimage to Athens directly after his final victory over the Bulgarians for the sole purpose of worshipping at the Parthenon. In medieval Greek accounts it called the Temple of Theotokos Atheniotissa and often indirectly referred to, as famous without explaining which temple they were referring to precisely, thus establishing that it was indeed well known.
At the time of the Latin occupation it became for about 250 years a Roman Catholic Church of Our Lady. The conversion of the temple to a church involved removing the internal columns and some of the walls of the cella, and the creation of an apse at the eastern end. This inevitably led to the removal and dispersal of some of the sculptures. Those depicting gods were either possibly re-interpreted according to a Christian theme, or removed and destroyed.
Ottoman mosque
In 1456, Athens fell to the Ottomans, and the Parthenon was converted again, into a mosque. The Ottomans were respectful of ancient monuments in their territories and did not willfully destroy the antiquities of Athens, but at the same time made no special effort to protect them. In times of war they were willing to demolish them to provide materials for walls and fortifications. A minaret was added to the Parthenon, and its base and stairway are still functional, leading up as high as the architrave and hence invisible from the outside. Otherwise, the Ottomans did not further modify the building. European visitors in the 17th century, as well as some representations of the Acropolis hill, testified that the building was largely intact.
Destruction
The southern side of the Parthenon, which sustained considerable damage in the 1687 explosion
Fragment of an exploded shell found on top of a wall in the Parthenon, thought to originate from the time of the Venetian siege
In 1687, the Parthenon suffered its greatest blow when the Venetians under Francesco Morosini attacked Athens, and the Ottoman Turks fortified the Acropolis and used the building as a gunpowder magazine. On 26 September a Venetian mortar, fired from the Hill of Philopappus, blew the magazine up and the building was partly destroyed. Morosini then proceeded to attempt to loot sculptures from the ruin. The internal structures were demolished, whatever was left of the roof collapsed, and some of the pillars, particularly on the southern side, were decapitated. The sculptures suffered heavily. Many fell to the ground, and souvenirs were later made from their pieces. Consequently some sections of the sculptural decoration are known only from the drawings made by Flemish artist Jacques Carrey in 1674. After this, much of the building fell into disuse and a smaller mosque was erected.
The 18th century was a period of Ottoman Turk stagnation; as a result, many more Europeans found access to Athens, and the picturesque ruins of the Parthenon were much drawn and painted, spurring a rise in philhellenism and helping to arouse sympathy in Britain and France for Greek independence. Amongst those early travellers and archaeologists were James Stuart and Nicholas Revett, who were commissioned by the Society of Dilettanti to survey the ruins of classical Athens. What they produced was the first measured drawings of the Parthenon published in 1787 in the second volume of Antiquities of Athens Measured and Delineated. In 1801, the British Ambassador at Constantinople, the Earl of Elgin, obtained a firman (edict) from the Sultan to make casts and drawings of the antiquities on the Acropolis, to demolish recent buildings if this was necessary to view the antiquities, and to remove sculptures from them. Although the existence of the firman is doubtful, as the original document has not been rescued, he took this as permission to collect all the sculptures he could find. He employed local people to detach them from the building itself; a few others he collected from the ground, and some smaller pieces he bought from local people. The detachment of the sculptures caused further irreparable damage to what was left of the building, as some of the frieze blocks were sawn in half to lessen their weight for shipment to England.
Independent Greece
When independent Greece gained control of Athens in 1832, the visible section of the minaret was demolished from the Parthenon, and soon all the medieval and Ottoman buildings on the Acropolis were destroyed. However the image of the small mosque within the Parthenon's cella has been preserved in Joly de Lotbinière's photograph, published in Lerebours's Excursions Daguerriennes in 1842: the first photograph of the Acropolis.The area became a historical precinct controlled by the Greek government. Today it attracts millions of tourists every year, who travel up the path at the western end of the Acropolis, through the restored Propylaea, and up the Panathenaic Way to the Parthenon, which is surrounded by a low fence to prevent damage.
Dispute over the marbles
Life-size pediment sculptures from the Parthenon in the British Museum
Today, the Parthenon Marbles which were removed by the Earl of Elgin are in the British Museum. Other sculptures from the Parthenon are now in the Louvre in Paris, in Copenhagen, and elsewhere, but most of the remainder are in Athens in the new Acropolis Museum, that was opened officially on Saturday, June 20, 2009. A few can still be seen on the building itself. The Greek government has been campaigning since 1983 for the British Museum sculptures to be returned to Greece. The British Museum has steadfastly refused to return the sculptures,and successive British governments have been unwilling to force the Museum to do so (which would require legislation). Nevertheless, talks between senior representatives from Greek and British cultural ministries, and their legal advisors took place in London on 4 May 2007. These were the first serious negotiations for several years, and there are hopes that the two sides may move a step closer to a resolution.
Reconstruction
A reconstructed segment of the Parthenon.
In 1975, the Greek government began a concerted effort to restore the Parthenon and other Acropolis structures. After some delay a Committee for the Conservation of the Acropolis Monuments was established in 1983. The project later attracted funding and technical assistance from the European Union. An archaeological committee thoroughly documented every artifact remaining on the site, and architects assisted with computer models to determine their original locations. Particularly important and fragile sculptures were transferred to the Acropolis Museum. A crane was installed for moving marble blocks; the crane was designed to fold away beneath the roofline when not in use. In some cases, prior re-construction was found to be incorrect. These were dismantled, and a careful process of restoration began.Originally, various blocks were held together by elongated iron H pins that were completely coated in lead, which protected the iron from corrosion. Stabilizing pins added in the 19th century were not so coated, and corroded. Since the corrosion product (rust) is expansive, the expansion caused further damage by cracking the marble. All new metalwork uses titanium, a strong, light, and corrosion resistant material.
The Parthenon will not be restored to a pre-1687 state, but the explosion damage will be mitigated as much as possible, both in the interest of restoring the structural integrity of the edifice (important in this earthquake-prone region) and to restore the aesthetic integrity by filling in chipped sections of column drums and lintels, using precisely sculpted marble cemented in place. New Pentelic marble is being used from the original quarry. Ultimately, almost all major pieces of marble will be placed in the structure where they originally would have been, supported as needed by modern materials.
Source:wikipedia
Subscribe to:
Posts (Atom)




